E. B. White Read-Aloud winner Mac Barnett celebrates individuality in a story told with tenderness and subtlety. It’s John’s big day at school today—a performance for Sharing Gifts time. His bag is carefully packed and prepared, his classmates are ready, and the curtain is waiting to open. John is nervous, looking out at all the other children staring back at him. But he takes a big breath and begins. Mac Barnett’s compassionate text and Kate Berube’s understated and expressive art tell the story of a kid who finds the courage to show others his talent for dancing.

John T. Flynn, a prolific writer, columnist for the New Republic, Harper's Magazine, and Collier's Weekly, radio commentator, and political activist, was described by the New York Times in 1964 as “a man of wide-ranging contradictions.” In this new biography of Flynn, John E. Moser fleshes out his many contradictions and profound influence on U.S. history and political discourse. In the 1930s, Flynn advocated extensive regulation of the economy, the breakup of holding companies, and heavy taxes on the wealthy. A mere fifteen years later he was denouncing the New Deal as “creeping socialism,” calling for an abolition of the income tax, and hailing Senator Joseph McCarthy and his fellow anticommunists as saviors of the American Republic. Yet throughout his career he insisted that he had remained true to the principles of liberalism as he understood them. It was America's political culture that changed, he argued, and not his values and views. Drawing on Flynn’s life and his prolific writings, Moser illuminates how liberalism in America changed during the mid-twentieth century and considers whether Flynn’s ideological odyssey was the product of opportunism, or the result of a set of deep-seated principles that he championed consistently over the years. In addition, Right Turn examines Flynn’s role in laying the foundations for the “culture war” that would be played out in American society for the rest of the century, helping to define modern American conservatism.

#1 New York Times bestselling author John C. Maxwell brings his common sense self-help lessons to teens! Any setback--a championship loss, a bad grade, a botched audition-can be seen as a step forward when teens possess the right tools to turn that loss into a gain of knowledge. Drawing on nearly fifty years of leadership experience, Dr. Maxwell provides a roadmap for becoming a true learner, someone who wins in the face of problems, failures, and losses. The teachings from Sometimes You Win, Sometimes You Learn have been edited and adapted just for teens. This Young Readers edition features all-new stories of real life figures that overcame adversity early in their lives, including entrepreneur Steve Jobs, Olympic Gold Medalists Gabby Douglas and Mikaela Shiffrin, and Nobel Peace Prize nominee Malala Yousafzai.

Coney Island: the name still resonates with a sense of racy Brooklyn excitement, the echo of beach-front popular entertainment before World War I. Amusing the Million examines the historical context in which Coney Island made its reputation as an amusement park and shows how America's changing social and economic conditions formed the basis of a new mass culture. Exploring it afresh in this way, John Kasson shows Coney Island no longer as the object of nostalgia but as a harbinger of modernity--and the many photographs, lithographs, engravings, and other reproductions with which he amplifies his text support this lively thesis.

Hedgehog just wants to get some sleep. So, please, won't you stop turning on the light?

How many things did the gunman do? Is his pulling of the trigger the same as his killing of the victim? Or are these two different actions or events? Such questions are at the heart of the dispute between «unifiers» and «multipliers» over the individuation of actions and events. In this study Karl Pfeifer defends the unifying approach of G.E.M. Anscombe and Donald Davidson against the criticisms and rival views of Alvin I. Goldman and others. Along the way, the discussion touches on a variety of problems concerning causality, time, explanation, language, ontology, and identity. What finally emerges is a clearer picture of the nature of criteria of identity and individuation for actions and events than has been available to date.

The affair is a military wedding. The groom's parents are the Bradwins, one of the oldest and most distinguished families in Virginia. The family head, General "Boss" Bradwin, is a famous army officer. Of all his prized sons, his youngest, "Clipper" Bradwin, is the most promising. First in his class at Blue Ridge Military Academy, graduate with all honors, he is now entering into holy matrimony and then into wartime service of his country. What will begin, however, with the solemnity of his marriage vows will end in the echoing screams of the damned-an ungodly spectacle of spilled blood and sobbing, throat-aching terror. For this distinguished family is like no other on earth. There is a curse on their blood. Their family history is rooted not in magnolia and honeysuckle, but in darkness and demonism, in frightening forces beyond their knowledge and control. Their august history begins not in antebellum mansions, but with supernatural sorcery in the ancient rites and rituals of dark African jungles. There is a curse that grips the Bradwins from generation to generation, from horror to bloody horror, and that climaxes in a spine-chilling nightmare of black occultism and blood vengeance.