THE STORY: Johnny is alone in the world when the Foolkiller, a Grim Reaper-type character, collects his father, Mr. Pye. Although the townspeople try to find someone to look after him, Johnny ends up running away, fleeing Martinsville and the Foo

This early work by Stephen Vincent Benét was originally published in 1938 and we are now republishing it with a brand new introductory biography. 'Johnny Pye and the Fool Killer' is a novel by this prolific author of prose and poetry. Stephen Vincent Benét was born on 22nd July 1898 in Bethlehem, Pennsylvania, United States. Benét was an accomplished writer at an early age, having had his first book published at 17 and submitting his third volume of poetry in lieu of a thesis for his degree. During his time at Yale, he was an influential figure at the 'Yale Lit' literary magazine, and a fellow member of the Elizabethan Club. Benét was also a part-time contributor for the early Time Magazine. Benét's best known works are the book-length narrative poem American Civil War, John Brown's Body (1928), for which he won a Pulitzer Prize in 1929, and two short stories, The Devil and Daniel Webster (1936) and By the Waters of Babylon (1937). Benét won a second Pulitzer Prize posthumously for his unfinished poem Western Star in 1944.

DigiCat Publishing presents to you this special edition of "The Collected Prose Works of Stephen Vincent Benét" by Stephen Vincent Benét. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.

Scenes from the plays and portraits of leading actors accompany a statistical record of the current season

When Stephen Vincent Benet died in 1943 at the age of 44, all of America mourned the loss. Benet was one of the country's most well known poets of the first half of the twentieth century and as a fiction writer, he had an even larger audience. This book is a collection of essays celebrating Benet and his writing. The first group of essays addresses Benet's life, times, and personal relationships. Thomas Carr Benet reminisces about his father in the first essay, and others consider Benet's marriage to his wife Rosemary; Archibald MacLeish, Thornton Wilder and Benet as friends, liberal humanists and public activists; and his friendships with Philip Barry, Jed Harris, and Thornton Wilder. The second group contains essays about Benet's poetry, fiction, and drama. They discuss Benet's role in the development of historical poetry in America, John Brown's Body and the Civil War, Hawthorne, Benet and historical fiction, Benet's Faustian America, the adaptation of "The Devil and Daniel Webster" to drama and then to film, Benet's use of fantasy and science fiction, and Benet as a dramatist for stage, screen and radio.