A small-time Capone hood named Johnny Pepys (“peeps,” after Samuel Pepys, the famous English diarist), is called upon to take dictation of the wounded kingpin’s memoirs, and soon finds himself caught between a deal he made with Bugsy Moran and Capone’s hostile and suspicious underlings. A humorous parody of “The Untouchables.” Stage Play (7m/3f) 45 min.

This is a new release of the original 1930 edition.

God's Frying Pan follows one woman's journey back to God, along with defining her ideas of how he truly uses us in our own lives to learn his lessons. After being married to her "person" for nearly twenty years and having a beautiful son, Gemma believed her life was complete. All she and Scott had to do was continue to love and grow with each other through the rest of their lives. Moving to a new town for a promotion seemed like a great new chapter in their lives. However, things don't always turn out the way we expect. Embarking on the hardest season of her life so far, Gemma calls into question her long held beliefs about love, commitment, and marriage, while searching for meaning and rekindling her relationship with God. She keeps returning to the idea that God uses us as frying pans, giving us situations to help us learn to "cook," and it's up to us to learn how to "cook" them to perfection. Do they need to be flash fried (quick action)? Or is a slow simmer a better option (let things unfold naturally)? A rapid boil perhaps (constant attention)? Sometimes things are going to get burnt, other times remain undercooked, and that's okay. It's how we learn, if we are paying attention. Along the way, she experiences some powerful personal moments as she learns how to "cook" the various situations in her life to perfection.

Back to Serve is a fictional memoir about a soon-to-be-retired army captain, Nico Corretti, who after a career in the military is ready to begin his civilian life with his family. But first, he must out-process and then drive halfway across the country to get home, during which he has an improbable encounter with a Russian woman who informs him that his safety and his postservice stability may be in jeopardy. On the long drive home, he considers the plausibility of her claim and reflects on his past and future.Once home, he relishes the quality time with his family, which includes visiting his father in his hometown. But afterward, he discovers the limited employment opportunities in the slow recovery years after the Great Recession. He undergoes an extended unemployment period before anxiously and dutifully taking a government-contract position abroad, which turns out to be more perilous than he had originally been briefed. And the mysterious Russian woman he met may lead him to some of the answers he was searching for, as well as to some dangers and desires that he wasn't. Upon completion of his contract job in Europe, he enjoys a well-deserved respite at home. But it's short lived, as a swell of terrorist attacks against the United States require (or demand) more of his military service. Torn between being there for his family and his duty to his country, Captain Corretti is coldly reminded that the two actually are mutually inclusive. He's sent back to a familiar place, the Middle East, and in the process, he may be able to avenge the soldiers he had lost under his command. But he'll need to reach deeper within himself than he ever has before in order to succeed on the battlefield and in life.

A riveting look at the transformative year in the lives and careers of the legendary group whose groundbreaking legacy would forever change music and popular culture. They started off as hysteria-inducing pop stars playing to audiences of screaming teenage fans and ended up as musical sages considered responsible for ushering in a new era. The year that changed everything for the Beatles was 1966—the year of their last concert and their first album, Revolver, that was created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. It was the year their records were burned in America after John’s explosive claim that the group was "more popular than Jesus," the year they were hounded out of the Philippines for "snubbing" its First Lady, the year John met Yoko Ono, and the year Paul conceived the idea for Sgt. Pepper’s Lonely Hearts Club Band. On the fiftieth anniversary of this seminal year, music journalist and Beatles expert Steve Turner slows down the action to investigate in detail the enormous changes that took place in the Beatles’ lives and work during 1966. He looks at the historical events that had an impact on the group, the music they made that in turn profoundly affected the culture around them, and the vision that allowed four young men from Liverpool to transform popular music and serve as pioneers for artists from Coldplay to David Bowie, Jay-Z to U2. By talking to those close to the group and by drawing on his past interviews with key figures such as George Martin, Timothy Leary, and Ravi Shankar—and the Beatles themselves—Turner gives us the compelling, definitive account of the twelve months that contained everything the Beatles had been and anticipated everything they would still become.

Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.

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