William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context—a time of heightened anti-French hysteria—and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format. Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.

Catalog accompanying an exhibition held at the Yale Center for British Art, New Haven, Conn., Oct. 27-Feb. 12, 2012, and at the Royal Academy of Arts, London, Mar. 10-June 10, 2012.

Mrs Papendiek’s Memoirs record events at court from 1761 – when the future Queen Charlotte came to England to marry King George – until 1792. The Papendieks knew many musicians, including John Christian Bach (son of Johann Sebastian), William Herschel (who became an astronomer) and Haydn. The memoirs also record meetings with artists of the day, such as Thomas Lawrence and Thomas Gainsborough. They are a unique resource, recording significant information about living conditions, dress, education and Anglo-German relations.Volume 1 spans 1765–1840.

Charleston's greatest contribution to American painting was timely patronage of men of ability. Contents: Historical intro.; Art and artists from the 16th to the mid-18th cent.; Jeremiah Theus, Alexander Gordon, and the mid-18th cent.; Prosperous Pre-Revolutionary years; The Revolutionary years; Federal years; The academic tradition and native talent in the first quarter of the 19th cent.; Fraser, Allston, White, and Cogdell; The South Carolina Acad. of Fine Arts; Sculpture; Theatrical and decorative painters; The silhouettists; Backgrounds; Native talent and visiting strangers; "Female artists" and talented families; The daguerreotype and photography; Pre-war decades; and The war years -- 1861-1865. Illus. This is a print on demand publication.