John Wesley, founder of the Methodist Church, is one of the world's greatest religious figures. A practical rather than systematic theologian, he wrote and preached for the common man. He is well known as a man of one book (the Bible) but he read like no other during his time. We are left with fourteen volumes of his works and eight each of his letters and journals. His brother became the troubadour of Methodism, writing countless hymns. John also took classic Christian works and edited them for the common man to read. And if this were not enough, he preached thousands of times both indoors and out. In John Wesley, Natural Man, and the 'Isms', J. Robert Ewbank examines what Wesley thought about other religions. Did he think all religions were from God and therefore there was little difference between them, or did he think that there is uniqueness in Christianity? Was he concerned about other philosophies and thoughts about religion popular in his day? What did he think about Natural Man, the Indians, the Deists, the Jews, the Roman Catholics, and the Mystics? Were they also fine with him, or did he discuss the differences between them, revealing where he found them wrong? Furthermore, what did Wesley think about the possibility of salvation for all those who held to these other positions? Did he find that it is possible for them to be saved by a loving God, or have they stepped outside of the bounds, therefore requiring extreme difficulty to be saved?

Wesley's Wars discusses the theological wars that John Wesley waged on behalf of "true religion," a religion of the heart. They were fought to protect the people in his society who trusted him with their spiritual health, and he took that seriously. He waged war on incorrect ideas of original sin, predestination, the church, and Christian perfection.

In The Supernatural and the Circuit Riders, Rimi Xhemajli shows how a small but passionate movement grew and shook the religious world through astonishing signs and wonders. Beginning in the late eighteenth century, early American Methodist preachers, known as circuit riders, were appointed to evangelize the American frontier by presenting an experiential gospel: one that featured extraordinary phenomena that originated from God's Spirit. In employing this evangelistic strategy of the gospel message fueled by supernatural displays, Methodism rapidly expanded. Despite beginning with only ten official circuit riders in the early 1770s, by the early 1830s, circuit riders had multiplied and caused Methodism to become the largest American denomination of its day. In investigating the significance of the supernatural in the circuit rider ministry, Xhemajli provides a new historical perspective through his eye-opening demonstration of the correlation between the supernatural and the explosive membership growth of early American Methodism, which fueled the Second Great Awakening. In doing so, he also prompts the consideration of the relevance and reproduction of such acts in the American church today.

Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.

While worship is one of the central functions of the church (along with mission, service, education, justice, and compassion) and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically-grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.

Harald Lindstrom's classic study of John Wesley's doctrine of sanctification remains perhaps the most accurate and comprehensive description we have of the theology of the founder of Methodism. Its accuracy stems from the fact that Lindstrom relied principally on Wesley's sermons to define his understanding of scriptural Christianity. Its comprehensiveness reflects the fact that John Wesley saw, and spent his lifetime explaining, that the promise of salvation was the central theme of biblical theology and that the experience of sanctifying grace was the essence of salvation.