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John Tanner's fascinating autobiography tells the story of a man torn between white society and the Native Americans with whom he identified. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

John Tanner was born in 1778 at Hopkinton, Rhode Island, the son of Joshua and Thankful Tefft Tanner. His family migrated to Greenwich, New York, in 1791. He married Tabitha Bently (1780-1801), ca. 1800. They had one son born at Greenwich in 1801. He married 2) Lydia Stewart (1773-1825) at Greenwich in 1801. They had twelve children, 1802-1825, born at Greenwich and Bolton, New York. He married 3) Elizabeth Beswick (1803-1890) at Bolton, New York. They had eight children, 1826-1843, born at Bolton, Kirtland, Ohio, and in Lee County, Iowa. Seven of his children died as infants or children. He and his wife joined the Church of Jesus Christ of Latter-day Saints in 1832 and migrated west with the Mormon pioneer; first to Kirkland, Ohio, then to Far West, Missouri; Liberty, Illinois; Montrose, Iowa; Winter Quarters, Nebraska, and finally to Utah in 1848. Four of his children remained in the east. He died in the Salt Lake Valley in 1850. Descendants lived in Utah, California, Arizona, Canada, and elsewhere.

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

Mathews's standard biography of Henry Ossawa Tanner (1859-1937), based on extensive research in archives in this country and family records in France. An important artist in the salons of Paris, Tanner was born and studied in Philadelphia but left America for Europe, where his race would not stand in the way of his ambition. Providing a full account of the artist's life and art, Henry Ossawa Tanner gives readers insight into the art trends of the nineteenth and early twentieth centuries as well as into the struggle of African Americans of this period. "[Tanner] ranks not only as the first truly distinguished Negro American artist but as one of America's first outstanding successes in the salons of Europe. In this work [Mathews] has significantly added to our knowledge of the history of American art."—John Hope Franklin, from the Foreword "The book gives the main facts of Tanner's life and successfully places his artistic work in its historic context....It is a welcome and useful volume."—August Meier, Journal of American History