Features new duotone reproductions of one hundred landmark photographs from the collection of The Museum of Modern Art that chronicle the historical evolution of the photographic arts in works by Adams, Weston, Stieglitz, Steichen, and other notable photographers. Reprint. 10,000 first printing.

- Accompanying the photographs will be excerpts from a life-time's correspondence giving a glimpse of Szarkowski's perspective on life and photography. Curator Sandra Phillips contributes an introductory essay. - The exhibition will open at the San Francisco Museum of Modern Art in February 2005 to national fanfare in honor of Szarkowski's 80th birthday, and will travel to the Museum of Modern Art, New York, as well as several other venues into 2006. - John Szarkowski is the author of many classic works including Looking at Photographs, The Photographer's Eye, Photography Until Now, The Work of Atget, Winogrand, Irving Penn, and Ansel Adams at 100.

Traces the first one hundred and fifty years of photography, and shows photographs of representative artists from William Henry Fox Talbot to Cindy Sherman

This volume presents the essence of the work of the great French photographer Eugène Atget through one hundred carefully selected photographs. Atget devoted more than thirty years of his life to the task of documenting the city of Paris and the surrounding countryside, and in the process created an oeuvre that brilliantly explains the great richness, complexity, and authentic character of his native culture. John Szarkowski, an acknowledged master of the art of looking at photographs, explores the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. The eloquent introductory text and commentaries on Atget’s photographs form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures.

Photographs from the archives of the Mariners' Museum depict shipbuilding, pleasure craft, naval confrontations, shipwrecks, and icebreakers

A new edition of the author's classic, long-out-of-print, photographic study of the work of architect Louis Sullivan is accompanied by excerpts from Sullivan's own writings, contemporary critical analyses of the architect's work, new duotone reproductions, and a new introduction assessing Sullivan's influence on the history of modern architecture. 15,000 first printing.