This volume narrows a huge gap in regard to Steinbeck translations in Eastern Europe, here considered in terms of the political division between Western Europe and the Soviet-dominated East. As the only book of its kind, and although intended for both literature scholars and the broader arts community, it makes an important contribution to Steinbeck and American literature studies, and is useful for scholars of the languages discussed here. Although Steinbeck is regarded as an American writer of high repute, his appeal and influence extend far beyond the borders of North America. As documented here, he was particularly popular in Eastern Europe, where he inadvertently served political purposes. Evaluated through an ideological lens, the sole value of his works was seen to reside in their utility to oppressive political regimes. Even works that clearly showed Steinbeck venturing into new topics and forms could not escape an ideological burden, whereas several others that lacked social necessity and documentary integrity were unjustifiably marginalised or consigned to oblivion. As this study also shows, only recently, following the fall of totalitarian rule, have Steinbeck’s works started to be approached from the various angles of contemporary criticism. The acknowledgement that there is much more to recommend in his books than that which was praised by those who, blinded by their commitment or because of imposed limitations on expectations, showed no appreciation for the variety and subtlety of Steinbeck’s writing, explains the recent renaissance of interest in the whole of Steinbeck’s oeuvre. Indeed, viewed without preconceived ideas and accepted for what they are, it is impossible not to respond to Steinbeck’s exploration of issues of freedom, individual choice, and relationships, and not to notice that he was much more than merely a proletarian writer.

"This volume narrows a huge gap in regard to Steinbeck translations in Eastern Europe, here considered in terms of the political division between Western Europe and the Soviet-dominated East. As the only book of its kind, and although intended for both literature scholars and the broader arts community, it makes an important contribution to Steinbeck and American literature studies, and is useful for scholars of the languages discussed here.Although Steinbeck is regarded as an American writer of high repute, his appeal and influence extend far beyond the borders of North America. As documented here, he was particularly popular in Eastern Europe, where he inadvertently served political purposes. Evaluated through an ideological lens, the sole value of his works was seen to reside in their utility to oppressive political regimes. Even works that clearly showed Steinbeck venturing into new topics and forms could not escape an ideological burden, whereas several others that lacked social necessity and documentary integrity were unjustifiably marginalised or consigned to oblivion.As this study also shows, only recently, following the fall of totalitarian rule, have Steinbeck's works started to be approached from the various angles of contemporary criticism. The acknowledgement that there is much more to recommend in his books than that which was praised by those who, blinded by their commitment or because of imposed limitations on expectations, showed no appreciation for the variety and subtlety of Steinbeck's writing, explains the recent renaissance of interest in the whole of Steinbeck's oeuvre. Indeed, viewed without preconceived ideas and accepted for what they are, it is impossible not to respond to Steinbeck's exploration of issues of freedom, individual choice, and relationships, and not to notice that he was much more than merely a proletarian writer."

The first scholarly assessment of Steinbeck's bestselling travelogue Travels with Charley, published in 1962, a narrative that blurs the lines between nonfiction and fiction Steinbeck's Uneasy America is the first collection of critical scholarship devoted to Travels with Charley in Search of America, John Steinbeck's best-selling, late-career travel memoir. In 1960, Steinbeck was a renowned man of American letters. Many considered him America's troubadour of ordinary people, the conscience of the country. But weakened by two small strokes and anxious that he had lost touch with America, he embarked on a cross-country road trip accompanied by his wife's standard poodle, Charley. Two years later, he published Travels with Charley to popular acclaim and robust sales. Throughout this narrative, Steinbeck insists that all of our perceptions are "warped" by personality, history, and society. And while this hybrid and experimental book has long been accepted as an accurate account of his journey, journalists and scholars agree that the narrative is part factual, part fiction--America as seen through Steinbeck's particular "warp." The work is long overdue for scholarly assessment. Steinbeck's Uneasy America explores three main topics. Part 1 explores genre and form to consider the degree to which the work is fiction or nonfiction. Part 2 assesses Steinbeck's increasingly bleak assessment of America--almost a jeremiad that warns citizens of ecological excess and political apathy. Part 3 focuses on Travels with Charley as a road text, travel adventure, and literary influence. This volume's authors offer rich scholarly insights and a wealth of stories, facts, and anecdotes about Steinbeck and the adventures and misadventures he and Charley met on the road. Lively and groundbreaking, the collection both enlightens and enlivens discussions of Steinbeck and of the twentieth-century American book world. CONTRIBUTORS Danica Čerče / William P. Childers / Donald V. Coers / Robert DeMott / Cecilia Donohue / Charles Etheridge / Mimi R. Gladstein / Barbara A. Heavilin / Kathleen Hicks / Carter Davis Johnson / Gavin Jones / Sally S. Kleberg / Jay Parini / Brian Railsback / Susan Shillinglaw / Nicholas P. Taylor

Celebrating the all-too-brief life of a young scholar dedicated to Steinbeck studies, A John Steinbeck Reader: Essays in Honor of Stephen K. George gathers essays from various vantage points including aesthetic, feminist, ethical, and comparative perspectives. Under the direction of Barbara A. Heavilin, George's coeditor of The Steinbeck Review journal and the book, John Steinbeck and His Contemporaries, the authors of these articles have come together both to pay tribute to Stephen and to widen the range of Steinbeck scholarship. Included in this volume are works by two acclaimed poets, as well as insightful readings of a little known early short story and an unsuccessful novel by Steinbeck. In addition to George, who is represented here with an essay on societal ethics, and Heavilin, who writes about Travels with Charley, the contributors to this volume include: Mary Brown, Danica Cerce, Mimi Gladstein, Charlotte Hadella, Tetsumaro Hayashi, Luchen Li, Michael J. Meyer, Kyoshi Nakayama, Brian Railsback, Thom Satterlee, Stephen L. Tanner, and John H. Timmerman. Designed for both a general and a professional audience, this collection will delight the Steinbeck buff, enlighten the Steinbeck student, and provides an array of topics, views, and approaches for Steinbeck scholars and teachers. While acknowledging one of its most devoted scholars, A John Steinbeck Reader will also be a welcome addition to the wealth of Steinbeck studies.

Preliminary Material -- Steinbeck Knew Dad Better Than I Did /Tom Gage -- "Literary Landmarks" of East of Eden /David A. Laws -- "Mapping the Land of Nod": The Spatial Imagination of John Steinbeck's East of Eden /Florian Schwieger -- Bio-Politics and the Institution of Literature: An Essay on East of Eden, its Critics and its Time /Henry Veggian -- Out of Eden: Dualism, Conformity, and Inheritance in Steinbeck's "Big Book" /Jeremy S. Leatham -- Mimesis, Desire and Lack in John Steinbeck's East of Eden /Elisabeth Bayley -- An Image of Social Character: Elia Kazan's East of Eden /Scott Dill -- East of Eden County: John Steinbeck, Joyce Carol Oates and the Afterlife of Cathy Trask /Gavin Cologne-Brookes -- The Status of East of Eden in Slovenia and the Former Yugoslavia /Danica Čerče -- A Paradoxical World in East of Eden: The Theory of Free Will and the Heritage of Puritanism /Yuji Kami -- The Unconventional Morality of East of Eden /Bruce Ouderkirk -- A Steinbeck Midrash on Genesis 4:7 /Alec Gilmore -- Contributors -- Index.

This book investigates major linguistic transformations in the translation of children’s literature, focusing on the English-language translations of Janusz Korczak, a Polish-Jewish children’s writer known for his innovative pedagogical methods as the head of a Warsaw orphanage for Jewish children in pre-war Poland. The author outlines fourteen tendencies in translated children’s literature, including mitigation, simplification, stylization, hyperbolization, cultural assimilation and fairytalization, in order to analyse various translations of King Matt the First, Big Business Billy and Kaytek the Wizard. The author then addresses the translators’ treatment of racial issues based on the socio-cultural context. The book will be of use to students and researchers in the field of translation studies, and researchers interested in children’s literature or Janusz Korczak.

This book studies the influence of censorship on the selection and translation of English language fiction in the People’s Republic of Poland, 1944-1989. It analyses the differences between originals and their translations, taking into account the available archival evidence from the files of Poland’s Censorship Office, as well as the wider social and historical context. The book examines institutional censorship, self-censorship and such issues as national quotas of foreign literature, the varying severity of the regime, and criticism as a means to control literature. However, the emphasis remains firmly on how censorship affected the practice of translation. Translators shaped Polish perceptions of foreign literature from Charlie Chan books to Ulysses and from The Wizard of Oz to Moby-Dick. But whether translators conformed or rebelled, they were joined in this enterprise by censors and pulled into post-war Poland’s cultural power structures.