JOHN SINGER SARGENT, JAMES MCNEILL WHISTLER AND MARY CASSATT.
Title | JOHN SINGER SARGENT, JAMES MCNEILL WHISTLER AND MARY CASSATT. PDF eBook |
Author | |
Publisher | |
Pages | 101 |
Release | 1954 |
Genre | |
ISBN |
Mary Cassatt, James A. McNeill Whistler, John Singer Sargent
Title | Mary Cassatt, James A. McNeill Whistler, John Singer Sargent PDF eBook |
Author | Addison Gallery of American Art |
Publisher | |
Pages | 10 |
Release | 1981 |
Genre | Art |
ISBN |
Sargent, Whistler, and Mary Cassatt
Title | Sargent, Whistler, and Mary Cassatt PDF eBook |
Author | Art Institute of Chicago |
Publisher | |
Pages | 112 |
Release | 1954 |
Genre | Painting, American |
ISBN |
Whistler to Cassatt
Title | Whistler to Cassatt PDF eBook |
Author | Timothy J. Standring |
Publisher | Yale University Press |
Pages | 130 |
Release | 2021-01-01 |
Genre | Art |
ISBN | 0300254458 |
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Mary Cassatt, James A. McNeil Whistler, John Singer Sargent
Title | Mary Cassatt, James A. McNeil Whistler, John Singer Sargent PDF eBook |
Author | Addison Gallery of American Art, Andover, Mass |
Publisher | |
Pages | 5 |
Release | 1981 |
Genre | |
ISBN |
American Expatriate Artists in the Nineteenth Century
Title | American Expatriate Artists in the Nineteenth Century PDF eBook |
Author | Violet Gray Crowe |
Publisher | |
Pages | 236 |
Release | 1991 |
Genre | Artists |
ISBN |
Whistler to Cassatt
Title | Whistler to Cassatt PDF eBook |
Author | Timothy J. Standring |
Publisher | Yale University Press |
Pages | 130 |
Release | 2021-01-01 |
Genre | Art |
ISBN | 0300254458 |
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.