An impassioned firsthand account of the Russian Revolution An American journalist and revolutionary writer, John Reed became a close friend of Lenin and was an eyewitness to the 1917 revolution in Russia. Ten Days That Shook the World is Reeds extraordinary record of that event. 'It flashed upon me suddenly: they were going to shoot me!' This electrifying eyewitness account of the Russian Revolution, written by an American journalist in St Petersburg as the Bolsheviks seized power in 1917, is an unsurpassed record of history in the making. John Reed (1887-1920) American journalist and poet-adventurer whose colorful life as a revolutionary writer ended in Russia but made him the hero of a generation of radical intellectuals. Reed became a close friend of V.I. Lenin and was an eyewitness to the 1917 October revolution. He recorded this historical event in his best-known book TEN DAYS THAT SHOOK THE WORLD (1920). Reed is buried with other Bolshevik heroes beside the Kremlin wall.

Reed thereby alienated literary critics who had idealized timeless artistry against the rough-and-tumble world of historical details and political implications.".

'A magnificent, thoughtful, moving book. Written with poetic sweep, it+ re-creates a vital era of American history and restores John Reed, the legend, to life. Romantic Revolutionary will long be read as the definitive work about a man who lived an epic life in quest of an ideal.' --Dorothy Samachson, Chicago Daily News

A parallel biography of early twentieth-century revolutionaries Pancho Villa and John Reed, discussing the influences in their lifes, and looking at how the two very different men rose to a cause, crossing paths briefly in Mexico in 1913, and went on to fall at the hands of their enemies.

JOHN Reed (1887-1920) is best known as the author of Ten Days That Shook the World and as champion of the communist movement in the United States. Still, Reed remains a writer almost systematically ignored by the literary critical establishment, even if alternately vilified and lionized by historians and by films like Warren Beatty's Reds. John Reed and the Writing of Revolution examines Reed's writing from a different critical perspective - one informed by a theoretical and practical understanding of literary nonfiction. In both politics and writing, John Reed defied fashion. In his short career, Reed transcended the traditional creative arts of fiction, poetry, and drama in favor of deeply researched histories composed with the cadence of fiction and the power of fact. Reed thereby alienated literary critics who had idealized timeless artistry against the rough-and-tumble world of historical details and political implications. Working from a close investigation of rare articles, manuscripts, and the Reed papers at Harvard as well as from Reed's published work, Daniel W. Lehman offers the first detailed literary study of the man who followed Pancho Villa into battle; wrote literar