This book is the only extended study of John Ormond’s poetry and films. It is a contribution to the history of BBC television. It is a contribution to the history of the documentary film form, particularly in a national context. It is a contribution to the cultural history of Wales. It is a case study in inter-artistic creative practice.

John Ormond is considered by writers and critics alike to be one of the very best of Wales's post-war poets. Born in Dunvant and educated at University College, Swansea, he joined the staff of Picture Post in 1945. He returned to Swansea in 1949 and, in 1957, began what was to be a distinguished career with BBC Wales as a director and producer of documentary films. Ormond 'returned to poetry' in the mid-sixties, having destroyed much of his early poetry. His first major volume Requiem and Celebration was published in 1969, and his reputation was enhanced in 1973 by the appearance of Definition of a Waterfall and his inclusion in Penguin Modern Poets. A volume of selected poems was published in 1987. This is the first book-length study of John Ormond and offers a perceptive examination of Ormond the poet and film-maker.

'Letters from Wales stands alone as an invaluable guide to Welsh writing.' – Sam Young, Wales Arts Review 'In these columns, as impressive for their depth as they are for their intellectual breadth, Adams analyses the work of acclaimed Welsh writers ... with scholarly panache' – Joshua Rees, Buzz Magazine 'illuminating and entertaining' – Jon Gower, Nation.Cymru Since 1996, Sam Adams's 'Letter from Wales' column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, independent and passionate critical voices on the writing and cultural output of Wales during this period. Here you will find erudite appreciations of the work of a wide range of recent and contemporary Welsh writers from Gillian Clarke to Roland Mathias, RS Thomas to Rhian Edwards. Alongside this, Adams offers us lyric essays to Welsh history, and clear-eyed examinations of the institutions of Welsh culture. Collected for the first time in this volume, the 'letters' are among the most significant and sustained attempts during this period to present Welsh writing to an audience throughout the UK and beyond.

This book is a timely Welsh antidote to Brexit. It is packed with original materials but is written in a highly accessible style by an author who recently won a Welsh Book of the Year award. It throws a wholly new light on Wales, revealing a country that has long been internationalist in cultural outlook, well prepared to look in directions other than that of England.

1. The book is in keeping with contemporary developments in literary criticism and interpretation. 2. The book is the first to offer a comprehensive critical overview of Thomas’s entire output. 3. It provides exciting new commentaries on cultural appropriations and interpretations of Thomas in the media, letters, and popular culture. 4. It contains work by some of the leading voices in the fields of Thomas studies and Welsh Writing in English. 5. It offers key insights into the Welsh contexts of Thomas’s work and legacy.

Rather than being limited to political or legal discussion (like most books on Brexit), this book explores the relationship between cultural production and Brexit (both in the lead up to it; and in its aftermath). It is the first major study to take a comparative approach to analysing the relationship between cultural production and Brexit in all 4 nations of the UK. This comparative approach is necessary to get a detailed picture of the complex dynamics at work across each. This book is highly interdisciplinary in nature, looking at the rise of the cultural industries; the relationship between the UK City of Culture festival and its fore-runner, the European Capital of Culture; national book prizes in Britain and Europe; British variations on Nordic Noir TV; and the Brexit novel. As a result, it draws on research in the disciplines of geography, economics, film and television studies, history and politics as well as publishing and literary studies.

This book argues for a new Welsh Way, one that is truly radical and transformational. A call for a political engagement that will create real opportunity for change. Neoliberalism has firmly taken hold in Wales. The 'clear red water' is darkening. The wounds of poverty, inequality, and disengagement, far from being healed, have worsened. Child poverty has reached epidemic levels: the worst in the UK. Educational attainment remains stubbornly low, particularly in deprived communities. Prison population rates are among the highest in Europe. Unemployment remains stubbornly high. House prices are rising, with the private rented sector lining the pockets of an ever-increasing number of private landlords. Minority groups are consistently marginalised. All this is not to mention the devastatingly disproportionate impact of the coronavirus pandemic on working class communities. The Welsh Way interrogates neoliberalism's grasp on Welsh life. It challenges the lazy claims about the 'successes' of devolution, fabricated by Welsh politicians and regurgitated within a tepid, attenuated public sphere. These wide-ranging essays examine the manifold ways in which neoliberalism now permeates all areas of Welsh culture, politics and society. They also look to a wider world, to the global trends and tendencies that have given shape to Welsh life today. Together, they encourage us to imagine, and demand, another Welsh future.