John Marsden was a mentally retarded Lancashire gentleman, looked after by his aunt. When he died, his estate passed to George Wright, a servant who was given stewardship of the estate. This book looks at the legal wrangle which followed.

When I hear parents say 'I want my children to enjoy their childhood; there'll be time when they're older to learn about those things', I hear the voices of those who are scared of the vastness of the universe. These adults have a view of childhood as some kind of discrete interval, rather than just a few years from the continuum of life. How fortunate that the spirit, courage and curiosity of many young people remain largely undefeated by such adults. John Marsden has spent his adult life engaging with young minds - through both his award-winning, internationally bestselling young adult fiction and his work as one of Australia's most esteemed and experienced educators. As the founder and principal of two schools, John is at the coalface of education and a daily witness to the inevitable and yet still mysterious process of growing up. Now, in this astonishing, insightful and ambitious manifesto, John pulls together all he has learned from over forty years' experience working with and writing for young people. He shares his insights into everything - from the role of schools and the importance of education, to problem parents and problem children, and the conundrum of what it means to grow up and be 'happy' in the 21st century. From the award-winning and bestselling author of the Tomorrow series.

I keep coming back to John Marsden. What makes him so fascinating to me is that he approaches writing for young adults with a whole philosophy of what it means to be a teenager – a philosophy that’s embedded in the two schools he runs, but also in his early experiences with mental illness and hospitalisation. His perspective raises interesting questions about YA fiction – how much darkness is allowed, before you are considered a “bad influence”? An original and moving look by award-winning writer Alice Pung at one of her biggest influences – the much-loved and hugely successful writer John Marsden. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria. Alice Pung is an award-winning writer, editor, teacher and lawyer based in Melbourne. She is the bestselling author of Unpolished Gem and Her Father’s Daughter and the editor of the anthologies Growing Up Asian in Australia and My First Lesson. Her first novel, Laurinda, won the Ethel Turner Prize at the 2016 NSW Premier’s Literary Awards.

John Marsden is not just one of Australia's most successful writers of all time; he's also one of our best teachers of writing. "Highly recommended" Sun Herald "The most exciting, interesting and useful book on the teaching of writing" Australian English Teacher The ultimate "get off your bum and do it" book, Everything I Know About Writing will motivate anyone to write. It's a lively, funny guide to writing, as readable as a novel, but packed front to back with ideas and insights. This new edition has one other great feature: 600 extraordinary topics, guaranteed to have you or your students writing before you know it. Everything I Know About Writing is the most painless way into writing - ever.

The follow-up to the bestselling Tomorrow series BOOK 1 IN THE ELLIE CHRONICLES TRILOGY "Addictive reading" Sydney Morning Herald "Australia's king of young adult fiction" The Australian We were halfway up the spur when we heard it. Homer and Gavin and I, just the three of us... I'd say there were fifteen shots in the first volley, evenly spaced, lasting about twenty-five seconds... All the way down the spur I'd heard the scattered shots, getting closer as I got closer, and all the way down I tried to think of reasonable explanations for them, and I couldn't think of a single thing that made sense. The town of Wirrawee is emerging from war, slowly, like a flower after a cold snap. Businesses are starting to reopen, the school has re-commenced classes, and local farmers are gradually repossessing their land. But it's not the same Australia as before the war. A new nation exists just a few miles away, a new border that separates Australia from its invaders. Or does it? For Ellie Linton, being back on the farm with her parents is what makes the terrible things that happened during the war - the things she, Homer, Lee, Fi and the others had to do - all worthwhile. It's where she belongs. But the war won't let her go. A devastating tragedy has shattered any hope she ever had to reclaim her life, or herself. It's a new kind of fight. And the enemy isn't always from the other side of the border. Fans of Veronica Roth, Suzanne Collins and John Flanagan will love John Marsden.

"Australia's king of young adult fiction" The Australian Winter is sixteen. It's time to come home. For twelve years Winter has been haunted. Her past, her memories, her feelings, will not leave her alone. And now, at sixteen, the time has come for her to act. Every journey begins with a single step. If Winter is going to step into the future, she must first step into the past. Winter is an intense, emotionally rich book that you will want to read not just once, but many times. Fans of Veronica Roth, Suzanne Collins and John Flanagan will love John Marsden.

When Ellie and six of her friends return home from a camping trip deep in the bush, they find things hideously wrong -- their families gone, houses empty and abandoned, pets and stock dead. Gradually they begin to comprehend that their country has been invaded and everyone in the town has been taken prisoner. As the horrible reality of the situation becomes evident they have to make a life-and-death decision: to run back into the bush and hide, to give themselves up to be with their families, or to stay and try to fight. This reveting, tautly-drawn novel seems at times to be only a step away from today's headlines.