This study explores the poet John Keats' manuscript medical Notebook from his time at Guy's Hospital (October 1815 - March 1816), reconstructing and recovering the intriguing and mutually enriching connections between Keats' two careers of medicine and poetry.

This book presents ten new chapters on John Keats's medical imagination, beginning with his practical engagement with dissection and surgery, and the extraordinary poems he wrote during his 'busy time' at Guy's Hospital 1815-17. The Physical Society at Guy's and the demands of a medical career are explored, as are the lyrical spheres of botany, melancholia, and Keats's strange oxymoronic poetics of suspended animation. Here too are links between surveillance of patients at Bedlam and of inner city streets that were walked by the poet of 'To Autumn'. The book concludes with a survey of multiple romantic pathologies of that most Keatsian of diseases, pulmonary tuberculosis.

Between 22 June and 18 August 1818, John Keats and his friend and collaborator Charles Armitage Brown embarked on an epic walking tour of the English Lake District, South West Scotland, Northern Ireland, the Ayrshire Burns Country, the Scottish Highlands and Western Isles, and the Great Glen north eastwards to Inverness, Beauly, the Black Isle, and Cromarty. During the tour, Keats and Brown both wrote extensive and detailed accounts of their experiences. The twelve new essays in this collection each explore the significance of the 1818 tour for understanding Keats's achievements, ranging across topics such as the contemporary Highland tour; Scottish literature, history, landscape and culture; Romantic responses to Robert Burns's life, works and places; and Keats's health and influence on Scottish artists.

As the essays in this volume reveal, Keats’s places could be comforting, familiar, grounding sites, but they were also shifting, uncanny, paradoxical spaces where the geographical comes into tension with the familial, the touristic with the medical, the metropolitan with the archipelagic. Collectively, the chapters in Keats’s Places range from the claustrophobic stands of Guy’s Hospital operating theatre to the boneshaking interior of the Southampton mail coach; from Highland crags to Hampstead Heath; from crowded city interiors to leafy suburban lanes. Offering new insights into the complex registrations of place and the poetic imagination, the contributors to this book explore how the significant places in John Keats’s life helped to shape an authorial identity.

The poems of John Keats have traditionally been regarded as most resistant of all Romantic poetry to the concerns of history and politics. But critical trends have begun to overturn this assumption. Keats and History brings together exciting work by British and American scholars, in thirteen essays which respond to interest in the historical dimensions of Keats's poems and letters, and open alternative perspectives on his achievement. Keats's writings are approached through politics, social history, feminism, economics, historiography, stylistics, aesthetics, and mathematical theory. The editor's introduction places the volume in relation to nineteenth- and early twentieth-century readings of the poet. Keats and History will be welcomed by students of English literature, and by all those interested in English Romanticism.