John Hartford was known for his quirky song writing and tap-dancing while he played the banjo, but he also possessed an encyclopedic knowledge of old-time fiddle tunes. Included in this collection are all 22 fiddle tunes from John's Hamilton Ironworks album. Each tune is presented in standard notation and in mandolin tab. Also included are many of John's variations, suggested chords, and information about the origins and insights on how to approach each tune. This collection of fiddle tunes played by John Hartford is to provide fiddle players with an accurate source so as to incorporate these great tunes into their repertoire.Difficulty ranges from relatively basic fiddling to solos that employ a range oftechniques such as slides, alternate tunings and playing on up the fingerboard. This collection is a must have for any fan of John Hartford's music and for all old-time musicians

"John Hartford's Mammoth Collection of Fiddle Tunes" contains 176 of John's original compositions, most never before available, taken from the sixty-eight handwritten music journals he kept between 1983 and 2001. Interspersed with stories, quotes, rare photos, and his own personal artwork, this is a fiddle anthology unlike any other. A peek inside the unique mind of a prolific musician and composer, "Hartford's Mammoth Collection" will inspire musicians, artists, music historians, and anyone who loves the creative process.

Intermediate-level solos based on 68 fiddling favorites of reels, jigs, hornpipes and all styles of barn-dance tunes is not only interesting and fascinating, it is also very beneficial for the development of technique. As technique studies, in their respective grades, these barn-dance tunes are in a class by themselves. Excellent repertoire. Guitar chords included.

This book is a follow-up to "Irish Fiddle Playing: A Guide for the Serious Player" (MB99402BCD). the student will gain a deeper knowledge of fiddle playing and improve their overall playing and musical understanding. Subjects include:•

In this generous collection, Nova Scotian fiddler Bill Guest presents standard notation of easy to intermediate-level traditional tunes, some of his own more complex original compositions plus works by twenty-one of his Canadian fiddling contemporaries. The collection offers approximately 120 dance tunes including: waltzes, hornpipes, jigs, polkas, two-steps, airs, breakdowns, reels, swing tunes, and a few 4/4 melodies for slow dancers. “The Irish Washerwoman” is presented in 3 versions with different time signatures, and five selections are arranged as duets. The salient feature of this book, however, is the enjoyment and multifaceted musical perspective gained from playing the work of so many fiddlers from across the vast commonwealth of Canada.

Every country in Europe seems to have rediscovered its own vital tradition of fiddle music, except England ... But, English fiddle music forms an important, yet neglected, part of the mosaic of Old and New World fiddle styles.Chris Bartram has played this music for over forty years. He has learned from traditional musicians around his home communities and more widely in other parts of England and in Cornwall. He has studied the majority of the existing field recordings of older generations of players and many of the handwritten manuscripts of nineteenth century fiddlers. 'English Fiddling' contains a wide variety of traditional tunes, an essay about the history of the instrument in England and a number of archive photographs.'English Fiddling' is intended to be a source for people who can already play the fiddle - or violin - at some level. This is not a book for the complete beginner, although a player who can play simple tunes in the first position and who can read music a little will find it helpful and instructive.The companion CD contains a selection of tunes played by Chris and some of his friends.•

Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.