Sharon McGriff-Payne has spent the past three years of this first decade of the 21st Century mesmerized by African Americans from the 19th Century, especially the insistent voice of John Grider. Grider captured McGriff-Payne's imagination and guided her to mine largely neglected archives to unearth and compile the stories of African Americans in California's North Bay counties of Solano, Napa, and Sonoma from the 1840s through the 1920s. Grider, a former slave, Bear Flag veteran, and hardworking everyman has inspired McGriff-Payne's research. The indomitable Miss Delilah L. Beasley has also inspired the author. Her 1919 book, The Negro Trail Blazers of California, preserved the names and deeds of many of the North Bay's African American pioneers. John Grider's Century seeks to add those black voices to California's larger historical narrative, with the message, "We were here!" "Tell my story," Grider prompted. McGriff-Payne has attempted to fulfill that command and dedicates this volume to him and the other pioneers who founded schools, formed churches and civic organizations, advocated policy, built businesses, raised families and triumphed over daunting odds.

African Americans have been part of the Vallejo mosaic since 1850, the year of the North Bay city's birth. John Grider, a Tennessee native and former slave who arrived in Vallejo in 1850, was one of the city's earliest residents and a veteran of the California Bear Flag Revolt of 1846. While many 19th-century black pioneers established homes, businesses, and schools, it was during the Great Migration period of 1910-1970s that the bulk of Vallejo's black community took firm root. During this period, black folks from throughout the South--tiny towns and big cities alike, from places like Itasca, Texas; Heidelberg, Mississippi; Little Rock, Arkansas; and Lake Wales, Florida--made their way west searching for war-industry jobs at Mare Island Naval Shipyard and lives relatively free of unrelenting racial discord. African Americans in Vallejo chronicles this proud and oftentimes complicated journey.

Spectacular recent discoveries from the Nathan Harrison cabin site offer new insights and perspectives into the life of this former slave and legendary California homesteader. “In many ways, it is a quintessential American story because of the fact that slavery was the American story.”—Julia A. King, St. Mary’s College of Maryland Few people in the history of the United States embody ideals of the American Dream more than Nathan Harrison. His is a story with prominent themes of overcoming staggering obstacles, forging something-from-nothing, and evincing gritty perseverance. In a lifetime of hard-won progress, Harrison survived the horrors of slavery in the Antebellum South, endured the mania of the California Gold Rush, and prospered in the rugged chaos of the Wild West. From the introduction: According to dozens of accounts, Harrison would routinely greet visitors to his remote Southern California hillside property with the introductory quip, “I’m N——r Nate, the first white man on the mountain.” This is by far the most common direct quote in all of the extensive Harrison lore. If it is possible to get past current-day shock and outrage over the inflammatory racial epithet, one can begin to contextualize and appreciate the ironic humor, ethnic insight, and dualistically crafted identities Harrison employed in this profound statement.

In 1905, Napa's mayor, J.A. Fuller, announced, "Napa for half a century has been slumbering in a Rip Van Winkle sleep but she has awakened at last." Back then, fifteen cents bought coffee and a donut at the Depot and Sawyer's Tannery made soft leather baseball gloves. In this collection, local author Lauren Coodley reimagines the unvarnished country life of historic Napa Valley through the stories of notables like postmaster Ernest Kincaid, "Napa Register" reporter Phyllis King, firefighter historian Rita Bordwell and Brewster's owners Rachel and Larry Friedman. Trace the region's lasting legacy, from the time when a horse and buggy purchased Browns Valley to the days when art galleries replaced blue-collar businesses and the California grape took center stage from Sunsweet prunes.

An alternative history and geography of the Bay Area that highlights sites of oppression, resistance, and transformation. A People’s Guide to the San Francisco Bay Area looks beyond the mythologized image of San Francisco to the places where collective struggle has built the region. Countering romanticized commercial narratives about the Bay Area, geographers Rachel Brahinsky and Alexander Tarr highlight the cultural and economic landscape of indigenous resistance to colonial rule, radical interracial and cross-class organizing against housing discrimination and police violence, young people demanding economically and ecologically sustainable futures, and the often-unrecognized labor of farmworkers and everyday people. The book asks who had—and who has—the power to shape the geography of one of the most watched regions in the world. As Silicon Valley's wealth dramatically transforms the look and feel of every corner of the region, like bankers' wealth did in the past, what do we need to remember about the people and places that have made the Bay Area, with its rich political legacies? With over 100 sites that you can visit and learn from, this book demonstrates critical ways of reading the landscape itself for clues to these histories. A useful companion for travelers, educators, or longtime residents, this guide links multicultural streets and lush hills to suburban cul-de-sacs and wetlands, stretching from the North Bay to the South Bay, from the East Bay to San Francisco. Original maps help guide readers, and thematic tours offer starting points for creating your own routes through the region.

"An insightful look at the historical damages early colonizers of America caused and how their descendants may recognize and heal the harm done to the earth and native peoples. Louise Dunlap tells the story of beloved land in California's Napa Valley: how the land fared during the onslaught of colonization and how it fares now in the drought, development, and wildfires that are its consequences. She looks to awaken others to consider their own ancestors' role in colonization and encourage them to begin reparations for the harmful actions of those who came before. More broadly, the book offers a way for readers to evaluate their own current life actions and the lasting impact they can have on society and the planet"--

The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.