Before he began the U.S.A. trilogy, Dos Passos prefigured his groundbreaking epic through three novels that provide a fascinating glimpse into his achievement as an avant-garde prose stylist while they incisively chronicle early 20th-century Europe and America.

Written in the decade before the publication of his famous U.S.A. trilogy, the three early novels collected in this Library of America volume record the emergence of John Dos Passos as a bold and accomplished chronicler of the upheavals of the early 20th century. Dos Passos drew upon his experiences as a volunteer ambulance driver serving near Verdun in writing One Man’s Initiation: 1917 (1920), in which an idealistic young American learns of the fear, uncertainty, and camaraderie of war through his encounters with French soldiers and civilians. The unexpurgated text presented in this edition restores passages censored by the novel’s original publisher. In Three Soldiers (1921) Dos Passos engaged in a deeper exploration of World War I and its psychological impact upon an increasingly fractured civilization. The novel depicts the experiences of Fuselli, a store clerk from San Francisco pathetically eager to win promotion; Chrisfield, an Indiana farmer who comes to hate army discipline; and Andrews, an introspective aspiring composer from New York, as they fight in the final battles of the war and then confront a world in which an illusory peace offers little respite from the dehumanizing servility and regimentation of militarized life. Dos Passos described Manhattan Transfer (1925), a kaleidoscopic portrait of New York City in the first two decades of the 20th century, as “utterly fantastic and New Yorkish.” Drawing on the naturalism of Theodore Dreiser and the modernism of James Joyce, the novel follows the rising and falling fortunes of more than a dozen characters as they move through a bewildering maze of tenements and skyscrapers in which Wall Street speculators, theatrical celebrities, impoverished immigrants, and anarchist rebels all strive to make sense out of the chaos of modern urban existence. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This collection of landmark slave narratives demonstrates how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition No literary genre speaks as directly and as eloquently to the brutal contradictions in American history as the slave narrative. The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person’s—and a people’s—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition. This volume collects ten works published between 1772 and 1864: • Narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America. • The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history. • The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality. • The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman. • Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft’s subversive and ingenious escape from Georgia to Philadelphia. • Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs’s complex and moving story of her prolonged resistance to sexual and racial oppression. • The narrative of the “trickster” Jacob Green (1864) presents a disturbing story full of wild humor and intense cruelty. Together, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation. Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.

Washington Irving’s career as a writer began obscurely at age seventeen, when his brother’s newspaper published his series of comic reports on the theater, theater-goers, fashions, balls, courtships, duels, and marriages of his contemporary New York, called Letters of Jonathan Oldstyle, Gent. Written in the persona of an elderly gentleman of the old school, these letters captured his fellow townsmen at play in their most incongruous attitudes of simple sophistication. Irving’s next work, Salmagundi, written in collaboration with his brother William and James Kirke Paulding, and published at irregular intervals in 1805–06, continued this roguish style of satire and burlesque. A History of New York, publicized by an elaborate hoax in the local newspapers concerning the disappearance of the elderly “Diedrich Knickerbocker,” turned out to be a wild and hilarious spoof that combined real New York history with political satire. Quickly reprinted in England, it was admired by Walter Scott and Charles Dickens (who carried his copy in his pocket). In later years, as Irving revised and re-revised his History, he softened his gibes at Thomas Jefferson, the Dutch, and the Yankees of New England; this Library of America volume presents the work in its original, exuberant, robust, and unexpurgated form, giving modern readers a chance to enjoy the version that brought him immediate international acclaim. The Sketch Book contains Irving’s two best-loved stories, “Rip Van Winkle” and “The Legend of Sleepy Hollow.” It also includes many sketches of English country and city life, as well as nostalgic portraits of vanishing traditions, like the old celebrations of Christmas. A writer of great urbanity and poise, acutely sensitive to the nostalgia of a passing age, Washington Irving was a central figure in America’s emergence on the international scene. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

An extensive collection of H.P. Lovecraft’s greatest works of horror and dread, from his early stories to his major classics like “The Call of Cthulhu,” “The Shadow Over Innsmouth,” and At the Mountains of Madness In this Library of America volume, the best-selling novelist Peter Straub brings together the very best of H. P. Lovecraft's fiction in a treasury guaranteed to bring fright and delight both to longtime fans and to readers new to his work. Early stories such as “The Outsider,” “The Music of Erich Zann,” “Herbert West–Reanimator,” and “The Lurking Fear” demonstrate Lovecraft's uncanny ability to blur the distinction between reality and nightmare, sanity and madness, the human and non-human. “The Horror at Red Hook” and “He” reveal the fascination and revulsion Lovecraft felt for New York City; “Pickman's Model” uncovers the frightening secret behind an artist's work; “The Rats in the Walls” is a terrifying descent into atavistic horror; and “The Colour Out of Space” explores the eerie impact of a meteorite on a remote Massachusetts valley. In such later works as “The Call of Cthulhu,” “The Whisperer in Darkness,” “At the Mountains of Madness,” “The Shadow Over Innsmouth,” and “The Shadow Out of Time,” Lovecraft developed his own nightmarish mythology in which encounters with ancient, pitiless extraterrestrial intelligences wreak havoc on hapless humans who only gradually begin to glimpse “terrifying vistas of reality, and our frightful position therein.” Moving from old New England towns haunted by occult pasts to Antarctic wastes that disclose appalling secrets, Lovecraft's tales continue to exert a dread fascination. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“From boyhood,” wrote Francis Parkman, “I had a taste for the woods and the Indians.” This Library of America volume, containing The Oregon Trail and The Conspiracy of Pontiac, brilliantly demonstrates this lifelong fascination. His first book, The Oregon Trail, is a vivid account of his frontier adventures and his encounters with Plains Indians in their final era of nomadic life. The Conspiracy of Pontiac and the Indian War after the Conquest of Canada, Parkman’s first historical work, portrays the fierce conflict that erupted along the Great Lakes in the aftermath of the Seven Years’ War and chronicles the defeats in which the eastern Native American tribes “received their final doom.” The Oregon Trail (1849) opens on a Missouri River steamboat crowded with traders, gamblers, speculators, Oregon emigrants, “mountain men,” and Kansas Indians. In his search for Natives untouched by white culture, Parkman meets the Whirlwind, a Sioux chieftain, and follows him through the Black Hills. His descriptions of natives’ buffalo hunts, feasts and games, feuds, and gift-giving derive their intensity from his awareness that he was recording a vanishing way of life. Praised by Herman Melville for its “true wild-game flavor,” The Oregon Trail is a classic tale of adventure that celebrates the rich variety of life Parkman found on the frontier and the immensity and grandeur of America’s western landscapes. In The Conspiracy of Pontiac (1851), Parkman chronicles the consequences of the French defeat in Canada for the eastern Native American tribes. At the head of the Native American resistance to the Anglo-American advance in the 1760s was the daring Ottawa leader Pontiac, whose attacks on the frontier forts and settlements put in doubt the continuation of western expansion. A powerful narrative of battles and skirmishes, treaties and betrayals, written with eloquence and fervor and filled with episodes of heroism and endurance, The Conspiracy of Pontiac captures the spirit of a tragic and tumultuous age. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.