The life of one of the Great Lovers of all time, John Dante lived the life of a bachelor's fantasy, going from his humble beginnings in a small Italian village to the Playboy Mansion, where he lived for 26 years with Hugh Hefner and 40 of the most beautiful women in the world. John Dante was a key figure in the first years of the Playboy empire, hiring Bunnies, training Bunny Mothers, and managing the Playboy jet. He befriended some of the most popular and important figures of our time, including Hugh Hefner, whom John paints as a "fascinating, complex man," as well as Shel Silverstein, Lenny Bruce, Linda Lovelace, Don Adams, James Caan and myriad other personalities and stars. A first hand, inside look. An important book from the life of the second-in-command. "This is a highly original way of telling the story of John Dante, self-made namesake of the more famous Dante. Using the medieval poet's vision of Hell as a kind of running parallel narrative, Anthony Valerio weaves a fascinating tale of ambition, excess, friendship, and rocking good times back in the day of the Playboy Clubs, replete with Bunnies, orgies, and hedonistic fun. Valerio writes with verve and compassion about men and women who ran after their dreams and their pleasures with abandon, living as if youth, potency, and beauty would never end. They did, of course, and this gives a poignant quality to the book. This is also the life story of an Italian American who came up from very humble origins to the heights of Hugh Hefner's sexy Never Never Land. I didn't always like these players' choices, and the machismo of that world is sometimes hard to take. Women are prized for their long, smooth legs, their willingness to service the men, their decorative essence, all of which is not the most admirable way of viewing women. But those were the times and those were the values that dominated Hef's universe. John Dante did have his own moral code, unusual as it was, and he was above all a good and faithful friend. Valerio is so expert at making us feel the lives of others, even those very far from our own experiences, and his colloquial style is just right. It seems that he wrote this book out of friendship, and so it is ultimately a kind, compassionate book. I am looking forward to many more tales told by the master storyteller, Anthony Valerio " Rebecca West, professor, University of Chicago

The brilliant, controversial, bestselling critique of American culture that “hits with the approximate force and effect of electroshock therapy” (The New York Times)—now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that “hits with the approximate force and effect of electroshock therapy” (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom’s argument caused such a furor at publication and why our culture so deeply resists its truths today.

By extending Gilles Deleuze's philosophy through diverse literary tracts, this book develops an account of what it means to be different and enters important contemporary debates about identity and the nature of solitude. At the same time, the book elaborates a limited philosophy. From unusual writings and rare human experiences, James Brusseau forges compelling understandings that scrupulously preserve his subjects' irregularities. The resulting philosophic narrative remains strictly localized; it elucidates narrow bands of experience and refuses broadening generalizations. The book's first section rigorously elaborates Deleuze's pioneering notion of difference. The second part conceives certain individuals as embodying difference and then employs the conception to elude difficulties blocking recent work on subjectivity. Part three combines insights from the first two parts with Isabelle Eberhardt's North African travel journals. In Eberhardt, Brusseau finds sexualities and a solitude that only Deleuze's unique notion of difference can explain. An energetic interaction between philosophy and literature drives this book. Brusseau weaves back and forth between the genres, engaging diverse literatures not only to embody but also to refine his philosophic positions. The literary authors he discusses range from Shakespeare and Fitzgerald to Borges, Bataille, and Eberhardt.

Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human. Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

An unflinching look at the meaning and substance of sin.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.