Biografie van de Engelse dichter (geb. 1906), gevolgd door een bespreking van zijn werk

Tells the story of a boy's growth to early manhood, seaside holidays, meddling arts, school bullies and an unexpected moment of religious awakening.

When did you last hear of a poetry book selling in the millions? Well, since 1958 when John Betjeman's Collected Poems was first published, sales have exceeded 2.5 million and are still going strong. When he died in 1984, still as Poet Laureate, he was by far the UK's favourite poet (as Philip Larkin acknowledged). Thanks to his work as a broadcaster and architectural campaigner he was also a celebrity. However his life was full of insecurities, frustrations and busted relationships, and in terms of his work, his comments that 'he was not taken seriously by the TLS' said it all. Jonathan Smith, author of many successful novels, but also a playwright and educationalist, wrote two radio plays dramatising Betjeman's life which were first broadcast on the BBC in 2017 and which have now been combined into a single narrative, part biography, part fiction but providing an extraordinary - and above all, highly entertaining - journey into the mind and the life of John Betjeman. The book follows the poet from his time at Oxford where he wandered around clutching a teddybear, then having been kicked out, to the well trodden route of Prep School master (he was taken on as a cricket coach, knowing absolutely nothing about the game). Then onto his unfortunate marriage to Penelope Chetwode an English travel writer, and the only daughter of Field Marshal Lord Chetwode, who sadly was more interested in horses than humans. The book then centres on his lengthy affair with Lady Elizabeth Cavendish and his problems with son Paul, who emigrated to the USA and never really forgave Betjeman for his shortcomings as a parent. Beautifully written, we expect this book to be widely noticed in reviews.

Eccentric, sentimental and homespun, John Betjeman's passions were mostly self-taught. He saw his country being devastated by war and progress and he waged a private war to save it. His only weapons were words--the poetry for which he is best known and, even more influential, the radio talks that first made him a phenomenon. From fervent pleas for provincial preservation to humoresques on eccentric vicars and his own personal demons, Betjeman's talks combined wit, nostalgia and criticism in a way that touched the soul of his listeners from the 1930s to the 1950s. Now, collected in book form for the first time, his broadcasts represent one of the most compelling archives of 20th-century broadcasting.

John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. But beneath the thoroughly modern window on Britain that he opened during his lifetime lay the influence of his nineteenth-century forbears. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and -- more importantly -- religious doubt. It was, nevertheless, a process which took time. In the 1930s Betjeman's work was tinted with modernism and traditionalism. He found Victorian buildings 'funny' and wrote much in praise of the Bauhaus style, even though his early poetry was peppered with Victorian references. This leaning was incorporated into a greater sense of purpose during World War 2, when he transformed himself from precious humorist into propagandist. The resulting sense of cohesion grew when the dangers of post-war urban redevelopment heightened the need to critique the present via the poetics of the past, a mood which continued up to and beyond his gaining the Laureateship in 1972. This duty proved to be a millstone, so the 'official' poems are thus explored by the author more fully than hitherto. The conclusion of looks back to Betjeman's 1960 verse-autobiography, 'Summoned by Bells', which is seen as the apogee of his achievement and a snapshot of his identity. Included here is the first critical appreciation of the lyrics embodied within the text, which are taken as a map of the young poet's literary growth. Larkin's 1959 question 'What exactly is Betjeman?' then leads to a final appraisal of his originality, as evidenced by his glances towards postmodernism, feminism, and post-colonialism. The fact is that Betjeman never quite fits in anywhere. He is always a square peg in a round hole or a round peg in a square hole -- often for the sheer enjoyment of so being. In a sense, his desire to be as non-conformist as a Quaker meeting house makes him a radical, rather than the reactionary that his interests imply. He was a champion of beauty and the British Isles, and clearly did much to make us see the worth of our Victorian forebears. Greg Morse's book highlights this important facet of his work.

Poems.