John Bell (1745-1831) was an English publisher. The Dictionary of National Biography has Charles Knight calling Bell a 'mischievous spirit, the very Puck of booksellers'. His 109-volume, literature-for-the-masses Poets of Great Britain Complete from Chaucer to Churchill, which rivalled Samuel Johnson's Lives of the Most Eminent English Poets (1781), was published from 1777 to 1783. Each volume cost just six shillings, at a time when similar volumes usually cost many times that. The drawings and illustrations with which Bell adorned his publications influenced later publishers, as did his abandonment of the long S. Most notable, perhaps, was Bell's joint-stock organisation of his publishing company, which defied 'the trade' - at the time, forty dominant publishing companies - in order to establish a monopoly on the best publications. In addition to the immense Poets of Great Britain, Bell also published similar volumes on Shakespeare and the British Theatre, as well as the Sunday newspaper Bell's Weekly Messenger and other periodicals.

Edmund Spenser's epic poem The Faerie Queene (1590–6) occupied an important place in eighteenth-century culture. Spenser influenced almost every major writer of the century, from Alexander Pope to William Wordsworth. What was it like to read Spenser in the eighteenth century? Who made Spenserian books, and how did their owners use and interpret them? The first comprehensive study of all of the eighteenth-century editions of Edmund Spenser addresses these questions through bibliographical analysis, and through examination of the history of the book and of eighteenth-century literature and culture. Within these contexts, Hazel Wilkinson provides new information about the production, contents, texts, and reception of the eighteenth-century editions of Spenser, to illuminate how his cultural presence became so far-reaching. With each chapter structured around a major edition of Spenser's work, this volume provides a timely addition to arguments about the nature of literary history and the growing cult of great writers of the past.

This volume is the first scholarly treatment of the News of the World from news-rich broadsheet to sensational tabloid. Contributors uncover new facts and discuss a range of topics including Sunday journalism, gender, crime, empire, political cartoons, the mass market, investigative techniques and the Leveson Inquiry.

The chapters in this volume study the construction, representation and negotiation of a variety of social roles through self- and other-reference markers or the discussion of reference as a tool for identification. The chapters uncover new insights both from a historical and present-day perspective and show how positioning the self and other varies, what kind of reference choices language users make and what follows from these choices. The data come from a variety of public texts, private encounters and questionnaires, and the methodologies range from macro to micro perspectives, including combinations of qualitative close-reading and quantitative corpus methods, and synchronic and diachronic perspectives. The findings enhance our understanding and use of reference practices in the context of global, institutional, political and multicultural, as well as media texts.

Publisher Description