Describes the life of master hatter John Stetson, from his boyhood apprenticeship under his father to his conquest of the American West with his design for the perfect cowboy hat.

The Stetson hat was the epitome of old west head wear...and much more. With beautiful full color photos, this history of the John Stetson Hat Company is richly illustrated with Stetson hats (men's and women's alike), hat boxes, miniature boxes, and a surprisingly large number of collectible items associated with this most famous hat company. A value guide is included.

The story of John Stetson and how he came to create the most popular hat west of the Mississippi.

Revised to include presidential hats, new celebrity hats, and a fully updated resource listing of custom hatters. The Cowboy Hat Book features an impressive array of cowboy hats, showcasing the wide variety of styles, colors, and fabrics used to create the cowboy hat, now a symbol of America and western culture that is recognized all over the world. Beginning with a brief history of the cowboy hat, the authors go on to explain the building of the perfect hat, its care and feeding, hat etiquette, hat hair, and more. Beautiful photos of real cowboys and movie cowboys sporting their trademark hats illustrate how creases, brims, shapes, and trims are unique to the individual who wears each hat. The Cowboy Hat Book celebrates the history and importance of this unique piece of clothing that hasn't fundamentally changed in more than 100 years. Ritch Rand's family has been making handcrafted hats for over twenty years. His hats have rested on dozen's of famous heads-from presidents to kings and heads of state to movie stars. He lives in Billings, Montana. William Reynolds is president and CEO of the marketing, PR, and advertising agency Banning Company, Inc. The company has a special division that services the western and equine industries. He lives in Malibu, California.

This story is about Aleixo de Queiroz Ribeiro, a Portuguese sculptor, and his celebrated marriage in Philadelphia to Sarah Elizabeth Stetson, the widow of the multimillionaire philanthropist John B. Stetson, owner of the biggest and most renowned hat company in the world. Based on real people and events, the novel explores Aleixo’s early years in Paris where he crosses paths with some of the era’s greatest names in sculpture, like Rodin and Saint-Gaudens, his brief and controversial stay in Lisbon, and his departure for the United States, where he becomes Portuguese Consul in Chicago and renowned sculptor. Intrinsic to the narrative itself, the history of an extraordinary era emerges, not as mere background scenery, but rather as it was witnessed and experienced by the actual individuals who lived it: the fall of the monarchy and the turbulent early years of the Republic in Portugal, the Spanish-American War, the Paris Universal Exposition of 1900, the First World War, etc. From the end-of-the-century Parisian effervescence to the interaction with the high society of Philadelphia and New York, from early artistic devotion and persistence to a certain mature dandyism in the later years, from public recognition to critical derision, from sensibility to pragmatism, and from ambition to disappointment, My Art and My Stetson dramatically conveys the conflicts and yearnings of a charismatic, controversial, and misunderstood man, as well as the numerous contradictions inherent to the epoch during which the narrative takes place.

At the heart of this experiment in intellectual synthesis is an effort to clarify differences of method and understanding within a common political trajectory. Through a series of exchanges on the value of the Hegelian and Lacanian legacies, the dilemmas of multiculturalism, and the political challenges of a global economy, Butler, Laclau, and ÄiPek lend fresh significance to the key philosophical categories of the last century while setting a new standard for debate on the Left. --Book Jacket.