An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world. Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period. The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa. Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.

Host to a large and diverse bird population as well as a long human history, Virginia is arguably the birthplace of ornithology in North America. David W. Johnston's History of Ornithology in Virginia, the result of over a decade of research, is the first book to address this fascinating element of the state's natural history. Tertiary-era fossils show that birds inhabited Virginia as early as 65 million years ago. Their first human observers were the region's many Indian tribes and, later, colonists on Roanoke Island and in Jamestown. Explorers pushing westward contributed further to the development of a conception of birds that was distinctively American. By the 1900s planter-farmers, naturalists, and government employees had amassed bird records from the Barrier Islands and the Dismal Swamp to the Blue Ridge and Appalachian Mountains. The modern era saw the emergence of ornithological organizations and game laws, as well as increasingly advanced studies of bird distribution, migration pathways, and breeding biology. Johnston shows us how ornithology in Virginia evolved from observations of wondrous creatures to a sophisticated science recognizing some 435 avian species. David W. Johnston taught ornithology at the University of Virginia's Mountain Lake Biological Station for nearly two decades and has edited numerous ecological studies as well as the Journal of Field Ornithology and Ornithological Monographs.

First published in 1998. The Romantic Era was a time when society, religion and other beliefs, and science were all in flux. The idea that the universe was a great clock, and that men were little clocks, all built by a divine watchmaker, was giving way to a more dynamic and pantheistic way of thinking. A new language was invented for chemistry, replacing metaphor with algebra; and scientific illustration came to play the role of a visual language, deeply involved with theory. A scientific community came gradually into being as the 19th century wore on. The papers which compose this book have appeared in a wide range of books and journals; together with the new introduction they illuminate science and its context in the Romantic Era and follow its effects in the 19th century.

"This book is for those inhabited by the same desires that drove the early naturalists afield, who yearn to know wilder territory. We read it voraciously, as if in the understanding of how they loved we might also begin to do so, as if in the reliving of their lives we might recapture some vanishing part of the human psyche that must know wilderness."-- Janisse Ray, author of Ecology of a Cracker Childhood "Like the naturalists she profiles, Gail Fishman takes us on an odyssey through a time when the extraordinary diversity of the southeastern United States was first being explored and described. . . . Entertaining."-- Steve Gatewood, executive director, Society for Ecological Restoration, Tucson "Fishman modernizes the men and their explorations by retracing the terrain that they explored, wrote about, drew and painted. The result is an intriguing and appealing lesson in biographical and scientific history and a literary reading experience that will appeal to a wide audience."-- William W. Rogers, professor of history emeritus, Florida State University Following the original steps of pioneering naturalists, Gail Fishman profiles thirteen men who explored North America’s southeastern wilderness between 1715 and the 1940s, including John James Audubon, Mark Catesby, John and William Bartram, John Muir, and Alvan Wentworth Chapman. The book is also Fishman’s personal travelogue as she experiences the landscape through their eyes and describes the changes that have occurred along the region’s trails and streams. Traveling by horseback, boat, and foot, these naturalists--dedicated to their task and blessed with passion and insatiable curiosity--explored gentle mountains, regal forests, and shadowy swamps. Their interests ran deeper than merely cataloging plants and animals. They identified the continent’s foundations and the habits and histories of the flora and fauna of the landscape. Fishman tells us who they were and what compelled them to pursue their work. She evaluates what they accomplished and measures their importance, also pointing out their strengths and failings. And she paints an engaging picture of what America was like at the time. Fishman combines natural history and American history into a series of portraits that recapture the American Southeast as it was seen by those who first tramped through the wilderness and whose voices from the beginning urged the preservation of wild places. Gail Fishman, a freelance writer who lives in Tallahassee, has worked for the Florida Defenders of the Environment, The Nature Conservancy, and the National Audubon Society. She is a volunteer for the St. Marks National Wildlife Refuge and helped form the St. Marks Refuge Association.