“[A] dark, elegant novel” of two women in ancient Greece, based on the great tragedies of Sophocles (Publishers Weekly). Thebes is a city in mourning, still reeling from a devastating plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her entire life, a city ruled by a king—her husband-to-be. Jocasta struggles through this miserable marriage until she is unexpectedly widowed. Now free to choose her next husband, she selects the handsome, youthful Oedipus. When whispers emerge of an unbearable scandal, the very society that once lent Jocasta its support seems determined to destroy her. Ismene is a girl in mourning, longing for the golden days of her youth, days spent lolling in the courtyard garden, reading and reveling in her parents’ happiness and love. Now she is an orphan and the target of a murder plot, attacked within the very walls of the palace. As the deadly political competition swirls around her, she must uncover the root of the plot—and reveal the truth of the curse that has consumed her family. The novel is based on Oedipus Tyrannus and Antigone, two of Classical Greece’s most compelling tragedies. Told in intersecting narratives, this reimagining of Sophocles’s classic plays brings life and voice to the women who were too often forced to the background of their own stories. “After two and a half millennia of near silence, Jocasta and Ismene are finally given a chance to speak . . . Haynes’s Thebes is vividly captured. In her excellent new novel, she harnesses the mutability of myth.” —The Guardian

A powerful retelling of Oedipus and Antigone from the perspectives of the women the myths overlooked, from Natalie Haynes, the Women's Prize-shortlisted author of A Thousand Ships and the Sunday Times bestseller Stone Blind. My siblings and I have grown up in a cursed house, children of cursed parents . . . Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as you know it. 'Haynes balances a fresh take on the material . . . giving new voice to the often-overlooked but fascinating Jocasta and Ismene.' - Madeline Miller, author of Circe.

When you have grown up as I have, there is no security in not knowing things, in avoiding the ugliest truths because they can't be faced . . . Because that is what happened the last time, and that is why my siblings and I have grown up in a cursed house, children of cursed parents . . . Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as you know it. In Children of Jocasta, Natalie Haynes reimagines the Oedipus and Antigone stories from the perspectives of two of the women who have often been overlooked; retelling the myth to reveal a new side of an ancient story.

A major revision of Freudian theory: exposes the degree to which Freud - attuned to the inner world of the male - could do no more than guess at that of the female. A bestseller in France for more than a decade.

At the outset of the play, Oedipus is the beloved ruler of the city of Thebes, whose citizens have been stricken by a plague. Consulting the Delphic oracle, Oedipus is told that the plague will cease only when the murderer of Queen Jocasta's first husband, King Laius, has been found and punished for his deed. Oedipus resolves to find Laius's killer. His investigation turns into an obsessive reconstruction of his own hidden past when he discovers that the old man he killed when he first approached Thebes as a youth was none other than Laius. At the end, Jocasta hangs herself in shame, and the guilt-stricken Oedipus blinds himself.

Here, Peter Burian and Brian Swann recreate Euripides' The Phoenician Women, a play about the fateful history of the House of Laios following the tragic fall of Oedipus, King of Thebes. Their lively translation of this controversial play reveals the cohesion and taut organization of a complexdramatic work. Through the use of dramatic, fast-paced poetry--almost cinematic it its rapidity of tempo and metaphorical vividness--Burian and Swann capture the original spirit of Euripides' drama about the deeply and disturbingly ironic convergence of free will and fate. Presented with acritical introduction, stage directions, a glossary of mythical Greek names and terms, and a commentary on difficult passages, this edition of The Phoenician Women makes a controversial tragedy accessible to the modern reader.

The ancient Greek tragedy about the exiled king’s final days—and the power struggle between his two sons. The second book in the trilogy that begins with Oedipus Rex and concludes with Antigone, Oedipus at Colonus is the story of an aged and blinded Oedipus anticipating his death as foretold by an earlier prophecy. Accompanied by his daughters, Antigone and Ismene, he takes up residence in the village of Colonus near Athens—where the locals fear his very presence will curse them. Nonetheless they allow him to stay, and Ismene informs him his sons are battling each other for the throne of Thebes. An oracle has pronounced that the location of their disgraced father’s final resting place will determine which of them is to prevail. Unfortunately, an old enemy has his own plans for the burial, in this heart-wrenching play about two generations plagued by misfortune from the world’s great ancient Greek tragedian.