Originally published in 1991, a study of the book of Job and the understanding of how biblical texts evolve in the process of transmission. Zuckerman presents a thesis that the book of Job was intended as a parody and compares it to the Yiddish story "Bontshe Shvayg".

The life and times of this iconic and enduring biblical book The book of Job raises stark questions about the meaning of innocent suffering and the relationship of the human to the divine, yet it is also one of the Bible's most obscure and paradoxical books. Mark Larrimore provides a panoramic history of this remarkable book, traversing centuries and traditions to examine how Job's trials and his challenge to God have been used and understood in diverse contexts, from commentary and liturgy to philosophy and art. Larrimore traces Job's reception by figures such as Gregory the Great, William Blake, and Elie Wiesel, and reveals how Job has come to be viewed as the Bible's answer to the problem of evil and the perennial question of why a God who supposedly loves justice permits bad things to happen to good people.

Like the biblical Job, many people suffer under the silence of God. This book shows that it is enlightening to retrace the origins of the concept of divine speech and silence in the ancient Near East and Greece.

Offering an original reading of the book of Job, one of the great literary classics of biblical literature, this book develops a new analogical method for understanding how biblical texts evolve in the process of transmission. Zuckerman argues that the book of Job was intended as a parody protesting the stereotype of the traditional righteous sufferer as patient and silent. He compares the book of Job and its fate to that of a famous Yiddish short story, "Bontsye Shvayg," another covert parody whose protagonist has come to be revered as a paradigm of innocent Jewish suffering. Zuckerman uses the story to prove how a literary text becomes separated from the intention of its author, and takes on quite a different meaning for a specific community of readers.

In these 1997 Lyman Beecher Lectures in Preaching delivered at Yale Divinity School, the author focuses on the task of those who preach and those who hear sermons in a world where people thirst for a word from God.

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Appalachian literature is filled with silent or non-discursive characters. The reasons for their wordlessness vary. Some are mute or pretend to be, some choose not to speak or are silenced by grief, trauma or fear. Others mutter monosyllables, stutter, grunt and point, speak in tongues or idiosyncratic language. They capture the reader's attention by what they don't say.