Dream-inspired book covers for imaginary pulp novels by Americana connoisseur-bricoleur Jim Shaw Since the 1970s, American artist Jim Shaw (born 1952) has used his multimedia artistic practice as a means of exploring and exploiting pop-culture iconography. This publication focuses on one of the key series in Shaw's corpus, in which he draws inspiration from the Anglo-American graphic design and illustrative tradition of cheap paperback books. Inspired by the artist's intense dreaming life, the Paperback Covers series (1996-2013) recreates the lurid imagery associated with pulp novels, with vertical canvases that depict fantastical and irreverent imagery: in one, a werewolf in suspenders is struck by an oncoming 18-wheeler; in another, a line of chorus girls dance in front of a vampire and a woman in red as the couple is in engulfed by flames. Though these "books" bear no text, Shaw's paintings evoke exciting narratives within a single image. All the inventoried Paperback Covers are collected in this softcover volume along with a text by Charlie Fox.

This selection of art since 1990 is drawn from a collection of approximately 600 works that reflect various directions emerging in today's art, from fascinating reprises of tradition to phenomena that appear startlingly new. The focus is on particular works of art rather than representations of a movement or direction. However, certain trends can be identified: a theme of whimsy, the prominence of photographically-based work, the equal importance of figuration and abstraction. Fifty-four artists are represented, among them Fatimah Tuggar (Nigeria), Neo Rauch (Germany), Mike Kelley (U.S.), Marlene Dumas (South Africa), and Vik Muniz (Brazil). Neuberger Berman has a history with contemporary art reaching back over sixty years. Roy Neuberger went to Paris in the 1920s with the thought of becoming an artist; he returned home and founded the financial management company in order to earn the money necessary to fulfill his passion for collecting.

Accompanies the exhibition of the same name held at the Hammer Museum, Los Angeles, May 13-Sept. 2, 2007.

The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published ― all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 ― a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and ― it should go without saying ― many more.

Life on the American frontier wasn't easy. Pioneers had to deal with tough challenges including rough terrain, extreme weather, starvation, and dangerous animals. But in spite of the hardships, people persevered. Follow the true stories of those who braved the frontier and what they had to do to survive in this book from the Fighting to Survive series.