This work is an innovative and controversial study of how four famous Jews writing in Russian in the early Soviet period attempted to resolve the conflict between their cultural identity and their place in Revolutionary Russia. Babel, Mandelstam, Pasternak and Ehrenburg struggled in very different ways to form creative selves out of the contradictions of origins, outlook, and social or ideological pressures. Efraim Sicher also explores the broader context of the literature and art of the Jewish avant-garde in the years immediately preceding and following the Russian Revolution. By comparing literary texts and the visual arts the author reveals unexpected correspondences in the response to political and cultural change. This study contributes to our knowledge of an important aspect of modern Russian writing and will be of interest to both Jewish scholars and those concerned with Slavonic studies.

Between 1917 and 1921, Jewish intellectuals and writers across the Russian empire pursued a “Jewish renaissance.” Here is a revisionist argument about the nature of cultural nationalism, the relationship between nationalism and socialism, and culture itself—the pivot point for the encounter between Jews and European modernity over the past century.

The first book-length analysis of how the Bolsheviks responded to antisemitism during the Russian Revolution.

In this multidisciplinary volume, leading historians provide new understanding of a time that sent shockwaves through Jewish communities in and beyond the Russian Empire and transformed the way Jews thought about the politics of ethnic and national identity.

An “endlessly rewarding” contribution to the study of Jewish life in the Soviet Union: “Fascinating . . . nuanced and respectful of human limitations” (Slavic Review). Minsk, the present capital of Belarus, was a heavily Jewish city in the decades between the world wars. Recasting our understanding of Soviet Jewish history, Becoming Soviet Jews demonstrates that pre-revolutionary forms of Jewish life in Minsk maintained continuity through the often violent social changes enforced by the communist project. Using Minsk as a case study of the Sovietization of Jews in the former Pale of Settlement, Elissa Bemporad reveals the ways in which many Jews acculturated to Soviet society in the 1920s and 1930s while remaining committed to older patterns of Jewish identity, such as Yiddish culture and education, attachment to the traditions of the Jewish workers’ Bund, circumcision, and kosher slaughter. This pioneering study also illuminates the reshaping of gender relations on the Jewish street and explores Jewish everyday life and identity during the years of the Great Terror. “Highly readable and brimming with novel facts and insights . . . [A] rich and engaging portrayal of a previously overlooked period and place.” —H-Judaic

Published by the University of Nebraska Press, Lincoln, and Yad Vashem, Jerusalem The Holocaust in the Soviet Union is the most complete account to date of the Soviet Jews during the World War II and the Holocaust (1941-45). Reports, records, documents, and research previously unavailable in English enable Yitzhak Arad to trace the Holocaust in the German-occupied territories of the Soviet Union through three separate periods in which German political and military goals in the occupied territories dictated the treatment of the Jews. Arad's examination of the differences between the Holocaust in the Soviet Union compared to other European nations reveals how Nazi ideological attacks on the Soviet Union, which included war on "Judeo-Bolshevism," led to harsher treatment of Jews in the Soviet Union than in most other occupied territories. This historical narrative presents a wealth of information from German, Russian, and Jewish archival sources that will be invaluable to scholars, researchers, and the general public for years to come.

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.