This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity.

This collection takes a new approach to understanding religious plurality in the Iberian Peninsula and its Mediterranean and northern European contexts. Focusing on polemics—works that attack or refute the beliefs of religious Others—this volume aims to challenge the problematic characterization of Iberian Jews, Muslims, and Christians as homogeneous groups. From the high Middle Ages to the end of the seventeenth century, Christian efforts to convert groups of Jews and Muslims, Muslim efforts to convert Christians and Jews, and the defensive efforts of these communities to keep their members within the faiths led to the production of numerous polemics. This volume brings together a wide variety of case studies that expose how the current historiographical focus on the three religious communities as allegedly homogeneous groups obscures the diversity within the Christian, Jewish, and Muslim communities as well as the growing ranks of skeptics and outright unbelievers. Featuring contributions from a range of academic disciplines, this paradigm-shifting book sheds new light on the cultural and intellectual dynamics of the conflicts that marked relations among these religious communities in the Iberian Peninsula and beyond. In addition to the editors, the contributors are Antoni Biosca i Bas, Thomas E. Burman, Mònica Colominas Aparicio, John Dagenais, Óscar de la Cruz, Borja Franco Llopis, Linda G. Jones, Daniel J. Lasker, Davide Scotto, Teresa Soto, Ryan Szpiech, Pieter Sjoerd van Koningsveld, and Carsten Wilke.

This book focuses on polemical religious texts of Iberia’s long fifteenth century, a period characterized by both social violence and cultural exchange. It highlights how polemical texts often reveal the interconnected nature of social and cultural intimacy, promoting dialogue and cultural transfer.

Uncovering the hidden history of Islamophobia and its surprising connections to the long-standing hatred of Jews. Hatred of Jews and hatred of Muslims have been intertwined in Christian thought since the rise of Islam. In Jewish Muslims, David M. Freidenreich explores the history of this complex, perplexing, and emotionally fraught phenomenon. He makes the compelling case that, then and now, hate-mongers target "them" in an effort to define "us." Analyzing anti-Muslim sentiment in texts and images produced across Europe and the Middle East over a thousand years, the author shows how Christians intentionally distorted reality by alleging that Muslims were just like Jews. They did so not only to justify assaults against Muslims on theological grounds but also to motivate fellow believers to live as "good" Christians. The disdain premodern polemicists expressed for Islam and Judaism was never really about these religions. Rather, they sought to promote their own visions of Christianity—a dynamic that similarly animates portrayals of Muslims and Jews today.

Converso and Morisco are the terms applied to those Jews and Muslims who converted to Christianity (mostly under duress) in late Medieval Spain. Converso and Moriscos Studies examines the manifold cultural implications of these mass convertions.

This book is the result of two scientific encounters hosted by the University of Évora in 2012, with the theme “Muslims and Jews in Portugal and the Diaspora. Identities and Memories (16th–17th centuries)”, and co-financed by the Foundation for Science and Technology, and by FEDER, through “Eixo I” of the “Programa Operacional Fatores de Competitividade” (POFC) of QREN (COMPETE). Beginning with an analysis of the forced conversion of Iberian Jews and Muslims, this volume examines the effects of this on their respective diasporas, focusing on a variety of approaches, from language and culture to identity discourses and interchanges between those communities.

Interdisciplinary approach to the Iberian and Italian perceptions and representations of the Battle of Lepanto and the Muslim “other” The Battle of Lepanto, celebrated as the greatest triumph of Christianity over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. The varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe are the focus of this book. In broader terms, Lepanto and Beyond also sheds light on the construction of religious alterity in the early modern Mediterranean. It presents cross-disciplinary case studies that explore the figure of the Muslim captive in historical documentation, artistic depictions, and literature. With a focus on the Republic of Genoa, the authors also aim to balance the historical scale and restore the important role of the Genoese in the general scholarly discussion of Lepanto and its images.