Multiple traditions of Jewish origins in Morocco emphasize the distinctiveness of Moroccan Jewry as indigenous to the area, rooted in its earliest settlements and possessing deep connections and associations with the historic peoples of the region. The creative interaction of Moroccan Jewry with the Arab and Berber cultures was noted in the Jews’ use of Morocco’s multiple languages and dialects, characteristic poetry, and musical works as well as their shared magical rites and popular texts and proverbs. In Jews and Muslims in Morocco: Their Intersecting Worlds historians, anthropologists, musicologists, Rabbinic scholars, Arabists, and linguists analyze this culture, in all its complexity and hybridity. The volume’s collection of essays span political and social interactions throughout history, cultural commonalities, traditions, and halakhic developments. As Jewish life in Morocco has dwindled, much of what is left are traditions maintained in Moroccan ex-pat communities, and memories of those who stayed and those who left. The volume concludes with shared memories from the perspective of a Jewish intellectual from Morocco, a Moroccan Muslim scholar, an analysis of a visual memoir painted by the nineteenth-century artist, Eugène Delacroix, and a photo essay of the vanished world of Jewish life in Morocco.

Explores the conundrum of Jewish Moroccan identity, from the earliest times to the present day.

Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Note on Transliteration and Spelling -- Map of Morocco -- Introduction -- 1 The Legal World of Moroccan Jews -- 2 The Law of the Market -- 3 Breaking and Blurring Jurisdictional Bound aries -- 4 The Sultan's Jews -- 5 Appeals in an International Age -- 6 Extraterritorial Expansion -- 7 Colonial Pathos -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z

Exploring the roles of Muslim guards and guides in Jewish cemeteries in Morocco, Cory Thomas Pechan Driver suggests that these custodians use performances of ritual and caring acts for Jewish graves for multiple reasons. Imazighen [Berbers] stress their close ties with Jews in order to create a moral self intentionally set apart from the mono-ethically Arab and mono-religiously Muslim Morocco. Other subjects, and particularly women, use their ties with Jewish sites to harness power and prestige in their communities. Others still may care for these grave sites to express grief for a close Jewish friend or adoptive family. In examining these motives, Driver not only documents the flow of material and spiritual capital across religious lines, but also moves beyond Muslim memory of the past on the one hand and Jewish dread of the future on the other to think about the Muslim/Jewish present in Morocco.

" The Mellah of Marrakesh] captures the vibrancy of Jewish society in Marrakesh in the tumultuous last decades prior to colonial rule and in the first decades of life in the colonial era. Although focused on the Jewish community, it offers a compelling portrait of the political, social, and economic issues confronting all of Morocco and sets a new standard for urban social history." --Dale F. Eickelman Weaving together threads from Jewish history and Islamic urban studies, The Mellah of Marrakesh situates the history of what was once the largest Jewish quarter in the Arab world in its proper historical and geographical contexts. Although framed by coverage of both earlier and later periods, the book focuses on the late 19th century, a time when both the vibrancy of the mellah and the tenacity of longstanding patterns of inter-communal relations that took place within its walls were being severely tested. How local Jews and Muslims, as well as resident Europeans lived the big political, economic, and social changes of the pre- and early colonial periods is reconstructed in Emily Gottreich's vivid narrative. Published with the generous support of the Koret Foundation.

The Sultan's Communists uncovers the history of Jewish radical involvement in Morocco's national liberation project and examines how Moroccan Jews envisioned themselves participating as citizens in a newly-independent Morocco. Closely following the lives of five prominent Moroccan Jewish Communists (Léon René Sultan, Edmond Amran El Maleh, Abraham Serfaty, Simon Lévy, and Sion Assidon), Alma Rachel Heckman describes how Moroccan Communist Jews fit within the story of mass Jewish exodus from Morocco in the 1950s and '60s, and how they survived oppressive post-independence authoritarian rule under the Moroccan monarchy to ultimately become heroic emblems of state-sponsored Muslim-Jewish tolerance. The figures at the center of Heckman's narrative stood at the intersection of colonialism, Arab nationalism, and Zionism. Their stories unfolded in a country that, upon independence from France and Spain in 1956, allied itself with the United States (and, more quietly, Israel) during the Cold War, while attempting to claim a place for itself within the fraught politics of the post-independence Arab world. The Sultan's Communists contributes to the growing literature on Jews in the modern Middle East and provides a new history of twentieth-century Jewish Morocco.

Set in Morocco, this sweet story of friendship and shared customs between a Jewish family and their Muslim neighbors provides a great introduction to the Moroccan Jewish holiday of Mimouna. It’s Mimouna — the Moroccan Jewish holiday that marks the end of Passover, and when blessings are given for a year of prosperity and good luck. Miriam wants to help her mother make the sweet moufletot pancakes they always eat at their Mimouna party, but after following the rules of Passover, they don’t have any flour in the house! So Miriam’s mother takes her to visit their Muslim neighbors, who are happy to share. The women drink tea together, and Miriam makes friends with a young girl named Jasmine. Miriam almost drops the bag of flour when she and Jasmine go to fetch it from the storeroom — but luckily Jasmine is there to catch it! Jasmine and her family then join Miriam’s family and friends to celebrate Mimouna. This sweet story of friendship and shared customs will introduce North American readers to the Mimouna holiday. The book concludes with an author’s note and a recipe for making moufletot, the sweet, paper-thin pancakes featured in the story, so that readers can enjoy, too. Key Text Features recipes author’s note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.2 Recount stories, including fables and folktales from diverse cultures, and determine their central message, lesson, or moral. CCSS.ELA-LITERACY.RL.2.6 Acknowledge differences in the points of view of characters, including by speaking in a different voice for each character when reading dialogue aloud.