This three-volume work tells the story of how Jewish Americans overcame anti-Semitism, anti-immigrant biases, and poverty to shape American film, television, music, sports, literature, food, and humor.

Entertaining America is a captivating look at one of the longest-running and most provocative public discussions in America: the relationship between the nation's Jews and its entertainment media. This colorfully written, lavishly illustrated book surveys how Jews have participated in--and been identified with--American movies, radio, and television from the nickelodeon era at the turn of the twentieth century to the present day. Throughout, the tone is lively, the design is playful, and key points are visually enhanced by stills, publicity photos, and memorabilia. This anthology of original analyses and primary texts covers a wide range of topics, including the multiple versions of The Jazz Singer, the saga of the Hollywood movie moguls, the irrepressible Goldbergs of radio and television fame, the representation of the Holocaust, how Charlie Chaplin and other non-Jewish stars became "virtual Jews," and the dazzling success of the television series Seinfeld. There is also an illustrated gallery of more than twenty Jewish-American stars from Theda Bara to Adam Sandler. The principal authors, J. Hoberman and Jeffrey Shandler, examine not only the history of Jews in the industry but also the steady stream of richly varied voices that have had something to say about this history--in fan magazines as well as literary fiction, by religious and political leaders as well as journalists, historians, and Jews in the entertainment business themselves. Entertaining America, which accompanies an exhibition opening at The Jewish Museum, is itself tremendously entertaining while providing the most expansive, authoritative look at this fascinating subject. In its pages, readers will find ample material to help them formulate their own responses to this frank, contentious, multilayered discussion. EXHIBITION SCHEDULE The Jewish Museum, New York February 21 - September 14, 2003 The Jewish Museum of Maryland, Baltimore October 16, 2003 - January 18, 2004

This three-volume work tells the story of how Jewish Americans overcame anti-Semitism, anti-immigrant biases, and poverty to shape American film, television, music, sports, literature, food, and humor.

Movie-Made Jews focuses on American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, and through unapologetic assertion of Jewishness, queerness, and alliances across race and religion. While it's a truism that Jews make movies, this book demonstrates how movies make Jews.

This three-volume work tells the story of how Jewish Americans overcame anti-Semitism, anti-immigrant biases, and poverty to shape American film, television, music, sports, literature, food, and humor.

This authoritative and cutting edge companion brings togethera team of leading scholars to document the rich diversity andunique viewpoints that have formed the religious history of theUnited States. A groundbreaking new volume which represents the firstsustained effort to fully explain the development of Americanreligious history and its creation within evolving political andsocial frameworks Spans a wide range of traditions and movements, from theBaptists and Methodists, to Buddhists and Mormons Explores topics ranging from religion and the media,immigration, and piety, though to politics and social reform Considers how American religion has influenced and beeninterpreted in literature and popular culture Provides insights into the historiography of religion, butpresents the subject as a story in motion rather than a snapshot ofwhere the field is at a given moment

Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors. Part I is a review of the city’s history through the early 1900s, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations. Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood’s emergence as the world’s movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd., Singin’ in the Rain, and The Truman Show. Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city’s status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash. In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city’s major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).