An examination of the social and cultural repercussions of Jewish emigration from Poland to Argentina in the 1920s and 1930s Between the 1890s and 1930s, Argentina, following the United States and Palestine, became the main destination for Eastern European Ashkenazi Jews seeking safety, civil rights, and better economic prospects. In the period between 1918 and 1939, sixty thousand Polish Jews established new homes in Argentina. They formed a strong ethnic community that quickly embraced Argentine culture while still maintaining their unique Jewish-Polish character. This mass migration caused the transformation of cultural, social, and political milieus in both Poland and Argentina, forever shaping the cultural landscape of both lands. In Polacos in Argentina: Polish Jews, Interwar Migration, and the Emergence of Transatlantic Jewish Culture, Mariusz Kalczewiak has constructed a multifaceted and in-depth narrative that sheds light on marginalized aspects of Jewish migration and enriches the dialogue between Latin American Jewish studies and Polish Jewish Studies. Based on archival research, Yiddish travelogues on Argentina, and the Yiddish and Spanish-language press, this study recreates a mosaic of entanglements that Jewish migration wove between Poland and Argentina. Most studies on mass migration fail to acknowledge the role of the country of origin, but this innovative work approaches Jewish migration to Argentina as a continuous process that took place on both sides of the Atlantic. Taken as a whole, Polacos in Argentina enlightens the heterogeneous and complex issue of immigrant commitments, belongings, and expectations. Jewish emigration from Poland to Argentina serves as a case study of how ethnicity evolves among migrants and their children, and the dynamics that emerge between putting down roots in a new country and maintaining commitments to the country of origin.

The New Ethnic Studies in Latin America aims at going beyond and against much of Jewish Latin American historiography, situating Jewish-Latin Americans in the larger multi-ethnic context of their countries. Senior and junior scholars from various countries joined together to challenge commonly held assumptions, accepted ideas, and stable categories about ethnicity in Latin America in general and Jewish experiences on this continent in particular. This volume brings to the discussions on Jewish life in Latin America less heard voices of women, non-affiliated Jews, and intellectuals. Community institutions are not at center stage, conflicts and tensions are brought to the fore, and a multitude of voices pushes aside images of homogeneity. Authors in this tome look at Jews’ multiple homelands: their country of birth, their country of residence, and their imagined homeland of Zion. "This volume brings together an important series of chapters that pushes ethnic studies to greater complexity; therefore, this work is critical in laying the foundation for what Jeffrey Lesser has called the new architecture of ethnic studies in Latin America." - Joel Horowitz, St. Bonaventure University, in: E.I.A.L. 28.2 (2017) "Overall, this collection serves as a stimulating invitation to scholars of Latin American ethnic studies. It offers multiple models of scholarship that go beyond and against traditional narratives of Jewish Latin America." -Lily Pearl Balloffet, University of California Santa Cruz, in: J.Lat Amer. Stud. 50 (2018) "These essays manage to bring to the fore stories of Jews whose journeys have been sidelined until now. Their stories demonstrate that identities are always a work in progress, a continuous dance between ancestry, history, and culture." - Ariana Huberman, Haverford College, in: American Jewish History 103.2 (2019)

Collects leading scholars' insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater. While Yiddish theater is best known as popular entertainment, it has been shaped by its creators' responses to changing social and political conditions. Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business showcases the diversity of modern Yiddish theater by focusing on the relentless and far-ranging capacity of its performers, producers, critics, and audiences for self-invention. Editors Joel Berkowitz and Barbara Henry have assembled essays from leading scholars that trace the roots of modern Yiddish drama and performance in nineteenth-century Eastern Europe and span a century and a half and three continents, beyond the heyday of a Yiddish stage that was nearly eradicated by the Holocaust, to its post-war life in Western Europe and Israel. Each chapter takes its own distinct approach to its subject and is accompanied by an appendix consisting of primary material, much of it available in English translation for the first time, to enrich readers' appreciation of the issues explored and also to serve as supplementary classroom texts. Chapters explore Yiddish theater across a broad geographical span--from Poland and Russia to France, the United States, Argentina, and Israel and Palestine. Readers will spend time with notable individuals and troupes; meet creators, critics, and audiences; sample different dramatic genres; and learn about issues that preoccupied both artists and audiences. The final section presents an extensive bibliography of book-length works and scholarly articles on Yiddish drama and theater, the most comprehensive resource of its kind. Collectively these essays illuminate the modern Yiddish stage as a phenomenon that was constantly reinventing itself and simultaneously examining and questioning that very process. Scholars of Jewish performance and those interested in theater history will appreciate this wide-ranging volume.

Splendor, Decline, and Rediscovery of Yiddish in Latin America presents Yiddish culture as it developed in an area seldom associated with the language. Yet several countries—Argentina, Brazil, Cuba, Mexico and Uruguay—became centers for Yiddish literature, journalism, political activism, theater, and music. Chapters by historians, linguists, and literary critics explore the flourishing of Yiddish there in the early 20th century, its retraction in the 1960’s, and contemporary endeavors to rescue this marginalized legacy. Topics discussed in the volume include the literary figures of the “Jewish gaucho” and the peddler, the regional Yiddish press, the communal struggle against trafficking in women, cultural responses to the Holocaust, intra-Jewish conflict during the Cold War, debates on assimilation versus tradition, and emergent postvernacular Yiddish. "The editors explain the renewed interest in—or 'revival' of—Yiddish in Latin America from the 1980s on as part of a broader global phenomenon. This volume sheds light on that phenomenon, while also being a part of it." -Amy Kerner, Brown University, Estudios Interdisciplinarios de América Latina 30.1 (2019) "As a pioneering scholarly anthology in its field, Splendor, Decline, and Rediscovery of Yiddish in Latin America is to be warmly greeted." -Zachary M. Baker, Stanford University, Journal of Jewish Identities 13.1 (2020)