Readers of this book will emerge with a new awareness of what we as Jews are doing when we pray, why we are doing it, how we are supposed to be affected by prayer, how the prayers came to be as they are today, and how they differ among the major movements of American Judaism. The traditional Jewish liturgy, if properly understood, is a deep and powerful technique for spiritual transformation. However, spiritual depth of prayer has been progressively reduced over the past 2000 years as the underlying currents of the Siddur, the Jewish prayerbook, have been lost to the majority of worshippers. This book explains the Jewish liturgy prayer by prayer, according to what, in the context of ancient and medieval Judaism, was its raison d'‚tre: a structure for transforming one's mind and way of life. The author writes: "The crisis Judaism now faces, while genuine, is due not to a lack of depth in the traditional Jewish prayer service, but to a profound and almost universal lack of understanding of that prayer service that pervades all segments of the Jewish community. Jewish prayer services in many contemporary synagogues lack spiritual fervor because the linkage between word and ritual, on the one hand, and mental transformation on the other, that would generate such fervor is not generally known to Jewish adults and is not taught to Jewish children. Unfortunately, the prayer service regularly degenerates into a race through words and gestures divorced from the sequence of mental states and visualizations through which these words and gestures were intended to lead us." This book was written to reunite the activity and language of prayer with its original transformative goal, by educating worshippers about what is at the heart of the siddur. Several chapters provide an overview of the Jewish prayer service and its spiritual flow. These chapters explain the visualizations, allusions, and meditative techniques that form the heart of the service and the altered states of consciousness through which the service ca

This engaging and informative book provides an introduction to the liturgy of the Siddur--the Jewish prayerbook. More than a "how-to" guide, this resource deals with basic issues for the modern worshiper, the historial compilation of the Siddur, and much more.

Liturgy, a complex interweaving of word, text, song, and behavior is a central fixture of religious life in the Jewish tradition. It is unique in that it is performed and not merely thought. Because liturgy is performed by a specific group at a specific time and place it is mutable. Thus, liturgical reasoning is always new and understandings of liturgical practices are always evolving. Liturgy is neither preexisting nor static; it is discovered and revealed in every liturgical performance. Jewish Liturgical Reasoning is an attempt to articulate the internal patterns of philosophical, ethical, and theological reasoning that are at work in synagogue liturgies. This book discusses the relationship between internal Jewish liturgical reasoning and the variety of external philosophical and theological forms of reasoning that have been developed in modern and post liberal Jewish philosophy. Steven Kepnes argues that liturgical reasoning can reorient Jewish philosophy and provide it with new tools, new terms of discourse and analysis, and a new sensibility for the twenty-first century. The formal philosophical study of Jewish liturgy began with Moses Mendelssohn and the modern Jewish philosophers. Thus the book focuses, in its first chapters, on the liturgical reasoning of Moses Mendelssohn, Hermann Cohen, and Franz Rosenzweig. However, it attempts to augment and further develop the liturgical reasoning of these figures with methods of study from Hermeneutics, Semiotic theory, post liberal theology, anthropology and performance theory. These newer theories are enlisted to help form a contemporary liturgical reasoning that can respond to such events as the Holocaust, the establishment of the State of Israel, and interfaith dialogue between Jews, Christians, and Muslims.

Join over fifty Jewish spiritual leaders from all denominations in a candid conversation about the why and how of prayer: how prayer changes us and how to discern a response from God. In this fascinating forum, they share the challenges of prayer, what it means to pray, how to develop your own personal prayer voice, and how to rediscover meaning and God's presence in the traditional Jewish prayer book. Book jacket.

A comprehensive guide to Jewish spiritual practices, with explanations based on Talmudic and Midrashic texts as well as Hasidic and mystical stories, includes a survey of daily prayers, Shabbat rituals, holidays, Torah study, Jewish meditation, and more.

The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.

"A provocative interpretation of the art and architecture of a pre-modern wooden synagogue. Thomas C. Hubka immersed himself in medieval and early-modern Jewish history, religion, and culture to prepare for this remarkable study of the 18th-century Polish wooden synagogue in the town of Gwoździec, now in present Ukraine"--