This interdisciplinary anthology explores the impact of current globalization processes on Jewish communities across the globe. The volume explores the extent to which nationalized constructs of Jewish culture and identity still dominate Jewish self-expressions, as well as the discourses about them, in the rapidly globalizing world of the twenty-first century. Its contributions address the ways in which Jewishness is now understood as transcending the old boundaries and ideologies of nation states and their continental reconfigurations, such as Europe or North America, but also as crossing the divides of Ashkenazi, Sephardi and Mizrahi Jews, as well as the confines of Israel and the Diaspora. Which new paradigms of Jewish self- location within the evolving and conflicting global discourses about the nation, race, the Holocaust and other genocides, anti-Semitism, colonialism and postcolonialism, gender and sexual identities open up in the current era of globalisation, and to what extent might transnational notions of Jewishness, such as European-Jewish identity, create new discursive margins and centers? Chapters explore the impact of the Arab-Israeli conflict on cross-cultural relations between Jews and other racialized groups in the Diaspora, and discuss the ways in which recent discourses such as postcolonialism and transnationalism might relate to global Jewish cultures. The intent of the volume is to begin a process of investigation into twenty-first century Jewish identity. This book was originally published as a special issue of the European Review of History.

This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawing on Jewish history, literary studies, folklore, art history and the history of science, it examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture. Jews have occupied a liminal position within European society and culture, being deeply immersed yet outsiders to it. For this reason, they were perceived in terms of otherness and were often represented as monstrous beings. However, at the same time, European Jews invoked, with tantalizing ubiquity, images of magical, terrifying and hybrid beings in their texts, art and folktales. These images were used by Jewish authors and artists to push back against their own identification as monstrous or diabolical and to tackle concerns about religious persecution, assimilation and acculturation, gender and sexuality, science and technology and the rise of antisemitism. Bringing together an impressive cast of contributors from around the world, this fascinating volume is an invaluable resource for academics, postgraduates and advanced undergraduates interested in Jewish studies, as well as the history of monsters.

This book provides an overview of computer techniques and tools — especially from artificial intelligence (AI) — for handling legal evidence, police intelligence, crime analysis or detection, and forensic testing, with a sustained discussion of methods for the modelling of reasoning and forming an opinion about the evidence, methods for the modelling of argumentation, and computational approaches to dealing with legal, or any, narratives. By the 2000s, the modelling of reasoning on legal evidence has emerged as a significant area within the well-established field of AI & Law. An overview such as this one has never been attempted before. It offers a panoramic view of topics, techniques and tools. It is more than a survey, as topic after topic, the reader can get a closer view of approaches and techniques. One aim is to introduce practitioners of AI to the modelling legal evidence. Another aim is to introduce legal professionals, as well as the more technically oriented among law enforcement professionals, or researchers in police science, to information technology resources from which their own respective field stands to benefit. Computer scientists must not blunder into design choices resulting in tools objectionable for legal professionals, so it is important to be aware of ongoing controversies. A survey is provided of argumentation tools or methods for reasoning about the evidence. Another class of tools considered here is intended to assist in organisational aspects of managing of the evidence. Moreover, tools appropriate for crime detection, intelligence, and investigation include tools based on link analysis and data mining. Concepts and techniques are introduced, along with case studies. So are areas in the forensic sciences. Special chapters are devoted to VIRTOPSY (a procedure for legal medicine) and FLINTS (a tool for the police). This is both an introductory book (possibly a textbook), and a reference for specialists from various quarters.

Taking the terrorist attacks of 9/11 as their starting point, five new essays look at how Jewish culture has changed over the past two decades. Covering music (Vanessa Paloma Elbaz), art (Monica Bohm Duchen), literature (Bryan Cheyette), theatre (Judi Herman) and film (Nathan Abrams), the essays explore the role of confidence in the cultural output of minority communities, and ask whether the trends identified look set to continue over the coming years. Commissioned to mark the twentieth anniversary of Jewish Renaissance magazine, the book includes a foreword by Howard Jacobson and is interspersed with a selection of the best articles from the magazine's archive, including pieces by the director Mike Leigh, author Linda Grant and sociologist Keith Kahn-Harris.

This book examines how German-language authors have intervened in contemporary debates on the obligation to extend hospitality to asylum seekers, refugees, and migrants; the terrorist threat post-9/11; globalisation and neo-liberalism; the opportunities and anxieties of intensified mobility across borders; and whether transnationalism necessarily implies the end of the nation state and the dawn of a new cosmopolitanism. The book proceeds through a series of close readings of key texts of the last twenty years, with an emphasis on the most recent works. Authors include Terézia Mora, Richard Wagner, Olga Grjasnowa, Marlene Streeruwitz, Vladimir Vertlib, Navid Kermani, Felicitas Hoppe, Daniel Kehlmann, Ilija Trojanow, Christian Kracht, and Christa Wolf, representing the diversity of contemporary German-language writing. Through a careful process of juxtaposition and differentiation, the individual chapters demonstrate that writers of both minority and nonminority backgrounds address transnationalism in ways that certainly vary but which also often overlap in surprising ways.

This book explains the meanings of globalization as a concept, discussing the key debates and pointing towards new ways of understanding the process as a whole.

Discusses multiculturalism as involving the redefinition of a nation and a search for national identity, but notes that multiculturalism is not necessarily the cause of the recent upsurge in antisemitism in Britain. Stresses the persistence of cultural stereotypes (e.g. Shylock, Fagin, and Svengali) in the media, including in reporting on sports events. British Jews are caught between two hostile forces: a coalition of militant Islamists and leftist anti-Western anti-imperialists who demonize Israel, and a general British resentment of foreigners, which sometimes encompasses Jews. Anti-Zionist propaganda and anti-Israel boycotts are espoused by Muslims and leftists, including on the campuses. Anti-Zionism often slips into anti-Judaism by targeting British Jews. The British media tend to be anti-Israel to such an extent that this stance is unassailable. Concludes that the open society has encouraged a resurgence of older racial anti-Jewish discourse, and that there is little new about the "new antisemitism" which spreads conspiracy theories about Jews in regard to recent events, such as 9/11.