Excerpt from Jewell's Crescent City Illustrated 1 f this volume, prepared with much. Care and labor, will in any way contribute towards giving additional information or throwina more light upon the general history of jvew Orleans and tend to remove the unreasonable and unjust frejudices that exist through ignorance of its true character, the highest object in view will have been full y attained and the richest reward obtained by. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The five-year period from 1841 to 1846 saw the beginning of Jefferson Davis’ political career. In this, the second volume of The Papers of Jefferson Davis, the documents cover Davis’ unsuccessful race for the state legislature, his selection as a Democratic state elector, his marriage to Varina Howell, his election to the U.S. House of Representatives, and his departure therefrom to assume command of the First Mississippi Regiment in the Mexican War. In the congressional documents Davis emerges as a hardworking freshman representative who quickly won for himself the respect and esteem of his fellow congressmen. There were, however, notable exceptions. One such exception was Andrew Johnson, a tailor by trade, who strongly resented Davis’ remark on the floor of the House that a “blacksmith or tailor” could not be expected to achieve the same results in battle as a trained military man. In the somewhat bitter exchange that followed, some have professed to see the beginnings of the long-standing animosity between Johnson and Davis. The 255 documents in this volume (two appendixes contain undated and late-arriving items) provide a clear picture of Jefferson Davis, the man and the politician, and give an intimate view of Mississippi in the 1840s. Throughout the volume are rumblings of the then distant storm that was to break so disastrously over the nation in the 1860s.

A #1 New York Times bestseller! Sarah J. Maas's brand-new CRESCENT CITY series begins with House of Earth and Blood: the story of half-Fae and half-human Bryce Quinlan as she seeks revenge in a contemporary fantasy world of magic, danger, and searing romance. Bryce Quinlan had the perfect life-working hard all day and partying all night-until a demon murdered her closest friends, leaving her bereft, wounded, and alone. When the accused is behind bars but the crimes start up again, Bryce finds herself at the heart of the investigation. She'll do whatever it takes to avenge their deaths. Hunt Athalar is a notorious Fallen angel, now enslaved to the Archangels he once attempted to overthrow. His brutal skills and incredible strength have been set to one purpose-to assassinate his boss's enemies, no questions asked. But with a demon wreaking havoc in the city, he's offered an irresistible deal: help Bryce find the murderer, and his freedom will be within reach. As Bryce and Hunt dig deep into Crescent City's underbelly, they discover a dark power that threatens everything and everyone they hold dear, and they find, in each other, a blazing passion-one that could set them both free, if they'd only let it. With unforgettable characters, sizzling romance, and page-turning suspense, this richly inventive new fantasy series by #1 New York Times bestselling author Sarah J. Maas delves into the heartache of loss, the price of freedom-and the power of love.

During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.

The landmarks, sites, and unique characteristics of the city of New Orleans are bid goodnight.