This is an indispensable and enlightening text by one of the most renowned art historians and design theorists, about the work of the great Marjan Unger. The Dutch art historian and jewellery expert Marjan Unger died back in 2018, at the age of seventy-two. Through her teaching and her myriad projects, exhibitions and publications, she influenced generations of jewellery artists and theorists in the applied disciplines. Yet one of her perhaps most enduring legacies is her doctoral thesis, Sieraad in Context, which she submitted in 2010.In her work, she endeavours to formulate a general definition of jewellery. Yet above all she also analyses to what extent jewellery is associated across the globe with different, sometimes contrary issues: in that all human fears but also desires have, in a sense, materialised around the world as objects of adornment.

Mia, mother of her six-year-old son, Cody, strives to balance care and volunteering at Cody’s school the only way she knows how: by recuperating nightly in what she calls her escape room. Meditation and a little bit of solitude at night can fix some hectic mothering days, but sometimes a glass of wine is just what is needed for those extra challenging kids-tell-all no-filter moments. With the family Dalmatian, Caesar, right by Cody’s side in mischief, Mia works overtime to dodge embarrassing public incidents, hoping her imaginary hats will finally work in making her invisible at just the right time. By getting weekly advice from her mom’s group, Mia realizes she’s not alone in this crazy, funny, and loving motherhood journey. The struggle is real, and finding a better motherhood routine is right at the top of her list of things to do, before she tips over to the other side of the sanity line.

This book unpacks the creative jewellery paradigm into its widest context. Five international writers draw a fascinating and comprehensive picture of contemporary jewellery in the twenty-first century. Through a rich palette of themes, works, reports and concepts from current art practices, they illuminate the conditions and interconnections of education, making, presentation, marketing and networking in design and art using the example of the New Zealand Handshake project. This book will enrich and bring pleasure to all who are interested in the visual arts in their broadest sense! The Handshake project supports emerging New Zealand jewellery artists, allowing them to develop ideas and artworks for a succession of exhibitions with the assistance of a chosen mentor. The Handshake recipients are presented with opportunities to develop work for a number of exciting challenges, including collaborations and national and international exhibitions. The progressive nature of the programme aims to develop independent makers with an innovative and energetic practice.

Why has jewellery and body adornment often been marginalized in studies of modernist art and design? This study explores the relationship between jewellery, modernism and modernity from the 'jazz age' to the second world war in order to challenge the view that these portable art forms have only a minor role to play in histories of modernism. From the masterworks of the Parisian jewellery houses to the film and photography of Man Ray, this study seeks to present jewellery in a new light, where issues of representation and display are considered to be as important in the creation of a modern 'jewellery culture' as the objects themselves. Drawing on material from museums, archives, contemporary journals, memoirs, literary and theoretical texts, this study shows how the emergence of modern jewellery began to seriously question conventional notions of body adornment.