Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.

Cancel your plans for the next 24 hours and buckle up; you're embarking on a breathtaking ride that will be hard to peel yourself away from, even for snacks. Jesus Goes to Hollywood is a fast-paced, headlong dive into one man's true story of addiction, madness, homelessness, alienation, and ultimately redemption. In a story that is by turns heartbreaking and hilarious - sometimes both simultaneously - Tom Matte offers a front-row seat on a harrowing journey.Once an owner of a successful Atlanta ad agency, devoted father and husband, Tom's life was upended by cocaine addiction that led to mental illness, sparking a cross-continent journey careening through rehab stints, 5-star hotels, Skid Row and jail. Most people who have lost their mind never find their way back to tell the tale; this story gives some insight into the experiences of people whose voices will never be heard.Jesus Goes to Hollywood is an unflinching look at the devastating effects of mental illness and addiction. It is an unforgettable story of one family's implosion, heartbreak, forgiveness, and reunification. And it's a fascinating look at how, after finding his way back to health and sobriety, the way Tom's brain works changed fundamentally and for the better, in ways that doctors, neuroscientists, and academic researchers are just beginning to understand.First-time author Tom Matte brings a fresh, honest and wickedly insightful voice to a difficult topic. If you read only one book this year, make it this one.

In this new book in the Gospel According To series, Garrett looks at the theological elements in dozens of classic Hollywood films, including a discussion about what the new openness to spirituality in the movies might mean for the future of American cinema and American religion. (Biblical Studies)

Between Heaven & Hollywood is David’s inspirational journey from the wheat fields of his Mennonite home outside of Dodge City Kansas, to the bright lights of Los Angeles. This story of perseverance will assure you that your dreams aren’t frivolous. They might be the most important part of your life. White has starred in more than twenty-five movies and produced forty films, including the blockbuster God’s Not Dead. He serves as a Managing Partner of Pure Flix, the largest faith-based movie studio in the world. With his signature wit and sidesplitting hilarity, David’s story of faithfulness, grounded in the biblical truth that no dream is too big for God, will inspire you to relentlessly pursue your dreams, and in the process, bring the reality of God’s kingdom a little closer to the here and now. God has planted a dream in your heart that is both unique to you and essential to the world. White reminds us that there is no one too common, too uneducated, too poor, too inexperienced, or too broken that he or she cannot be used by God.

Captain America assembles the Avengers. Iron Man battles Thanos. Luke Skywalker duels Darth Vader. Aragorn charges Mordor. Batman confronts the Joker. Superman destroys Doomsday. Wonder Woman defeats Ares. We are captivated. Why? We are entranced by stories that take us to a world where heroes fight evil and sacrifice themselves for a greater good because we long for our world to be free from pain, suffering, and struggle. That’s the real hope and promise of Jesus—when He returns to set things right. In Hollywood Heroes, you’ll see how: Your favorite movie heroes are patterned after the Ultimate Hero—Jesus of Nazareth Big screen stories parallel the real-world fight between good and evil Movies and characters can impart inspiring biblical life lessons on justice, purpose, courage, strength, sacrifice, faith, and love Hollywood Heroes begins with the true story of a US Navy SEAL who faced evil and sacrificed himself to save his teammates. Authors Frank and Zach Turek then use Spider-Man’s origin story to address the question: “Why would a good God allow evil?” You’ll then read how seven movie franchises—Captain America, Iron Man, Harry Potter, Star Wars, The Lord of the Rings, Batman, and Wonder Woman—portray the battle against evil, providing a set of modern-day parables that reveal truths about God and His mission for us.

Links film history with church history over the past century, illuminating America’s broader relationship with religious currents over time Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods. God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion.