This radical and cutting-edge Christian message presents Jesus's words in a fresh, direct and political way Links theology with the huge influence of popular black music, locating a multicultural new audience for Christian issues From Britian's leading black theologian, a media face who has presented several TV programmes and his own BBC West Midlands radio show Black theology is a vibrant and topical field. This book makes it accessible and relevant for everyone

THE BOOK OF LIFE, KNOWLEDGE AND CONFIDENCE provides the reader simple, commonsense, unorthodox answers and explanations on or about the WHO, WHAT, WHEN and WHY of issues of life and existence, such as the: Beginning of the Universe; Earth-like and extrasolar planets; Human Being; Religions & Religious issues such as: Bible; 'God'; Jesus; Virgin Mary; Adam & Eve; Angels, Devils, Satan, Hell, Heaven, Confession, Sins, Blasphemy, Apostasy, Celibacy, Mysticism, Superstition, Mythologies, Religious Mythologies; Psychological issues such as: Out-of-Body and Near-death Experiences; and Hallucinatory, Psychoactive and Ethnogenic Drugs. Once you have started to READ this Book, you will NEVER want to stop reading!

Christian Congregational Music explores the role of congregational music in Christian religious experience, examining how musicians and worshippers perform, identify with and experience belief through musical praxis. Contributors from a broad range of fields, including music studies, theology, literature, and cultural anthropology, present interdisciplinary perspectives on a variety of congregational musical styles - from African American gospel music, to evangelical praise and worship music, to Mennonite hymnody - within contemporary Europe and North America. In addressing the themes of performance, identity and experience, the volume explores several topics of interest to a broader humanities and social sciences readership, including the influence of globalization and mass mediation on congregational music style and performance; the use of congregational music to shape multifaceted identities; the role of mass mediated congregational music in shaping transnational communities; and the function of music in embodying and imparting religious belief and knowledge. In demonstrating the complex relationship between ’traditional’ and ’contemporary’ sounds and local and global identifications within the practice of congregational music, the plurality of approaches represented in this book, as well as the range of musical repertoires explored, aims to serve as a model for future congregational music scholarship.

Urban theology affirms the importance of context - notably the place of the city - in theological reflection. However, it has often been confined to particular contexts or theological camps and thus failed to engage with the fluidity of contemporary urban societies. 'Voices from the Borderland' presents an overview of urban theology, arguing that the twenty-first century demands a dialogical model of theology that enacts progressive change. The volume draws on studies of the multicultural and multi-faith British urban experience and situates these within the wider international context. The works of influential theologians in the field are examined and the dialogue between theology, globalisation, post-colonialism, postmodernism and "post-religious" urban culture critically explored. The volume is unique in bringing together urban liberation theology, urban black theology, reformist urban theology, globalisation urban theology, and post-religious urban theology.

Black theology as a discipline emerged in 1960s America, growing out of the experiences of Black people of the African Diaspora as they sought to re-interpret the central ideas of Christianity in light of struggle and oppression. However, a form of Black theology has been present in Britain since the time of slavery. 'Black Theology in Britain' offers the first comprehensive survey of Black theology, tracing its development in Britain from the eighteenth century to today. The essays cover a wide range of topics: Black Liberation; drama as a medium for Black theology; the perspective of Black women; Black theology in the pulpit and pastoral care; and the work of Robert Beckford and Anthony Reddie. 'Black Theology in Britain' is a key resource for students of British history, cultural studies, Black theology, and religious studies.

Black theology has flourished within the academy. Its theories, however, have not always translated into practical use for Black people. 'Dramatizing Theologies' outlines the strong practical dimension of Black theology. Combining Black theology with dramatic, dialogical sketch material, the book produces an accessible approach to Black theological dialogue. The chasm between the academy, church and grassroots communities is overcome through the use of drama. 'Dramatizing Theologies' offers a unique methodology for Black theological conversation with the poor, marginalized and disenfranchised.