Jesus Crawdad Death is the third publication in Third Man Books limited edition chapbook series. Betsy Phillips's collection features three speculative fiction stories spanning Jesus as a professional wrestler; the romance between a woman and her creek; and conversations between Death, and the ghosts of St. Francis of Assisi, William Faulkner, and Willam Gay.

Nashville has three unsolved integration-era bombings: Hattie Cotton Elementary School on September 10, 1957, the Jewish Community Center on March 16, 1958, and the home of Civil Rights attorney and Nashville city councilmember, Z. Alexander Looby, on April 19, 1960. Using FBI files, some of which the FBI denied even having, archival materials from all over the Southeast, and interviews with witnesses and a racist bomber, Betsy Phillips attempts to piece together what really happened and why those bombings have never been solved.

NPR Best Books of 2017 In this sweeping history of popular music in the United States, NPR’s acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race. In Good Booty, Ann Powers explores how popular music became America’s primary erotic art form. Powers takes us from nineteenth-century New Orleans through dance-crazed Jazz Age New York to the teen scream years of mid-twentieth century rock-and-roll to the cutting-edge adventures of today’s web-based pop stars. Drawing on her deep knowledge and insights on gender and sexuality, Powers recounts stories of forbidden lovers, wild shimmy-shakers, orgasmic gospel singers, countercultural perverts, soft-rock sensitivos, punk Puritans, and the cyborg known as Britney Spears to illuminate how eroticism—not merely sex, but love, bodily freedom, and liberating joy—became entwined within the rhythms and melodies of American song. This cohesion, she reveals, touches the heart of America's anxieties and hopes about race, feminism, marriage, youth, and freedom. In a survey that spans more than a century of music, Powers both heralds little known artists such as Florence Mills, a contemporary of Josephine Baker, and gospel queen Dorothy Love Coates, and sheds new light on artists we think we know well, from the Beatles and Jim Morrison to Madonna and Beyoncé. In telling the history of how American popular music and sexuality intersect—a magnum opus over two decades in the making—Powers offers new insights into our nation psyche and our soul.

In the tenth novel in the #1 New York Times bestselling series—the inspiration for the HBO® original series True Blood—Sookie Stackhouse learns that not even her psychic abilities can help her solve all the problems in Bon Temps, Louisiana... After enduring torture and the loss of loved ones during the brief but deadly Fae War, Sookie Stackhouse is hurt and she’s mad. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman. But he’s under scrutiny by the new vampire king because of their relationship. And as the political implications of the shifters’ coming-out are beginning to be felt, Sookie’s connection to one particular Were draws her into the dangerous debate. Also, unknown to her, though the doors to Faery have been closed, there are still some fae on the human side—and one of them is angry at Sookie. Very, very angry.

A collection of over 200 great Bluegrass, Old Time, Country and Gospel standards. Melodies are presented with standard notation and tablature along with lyrics and chords.Learn to play songs written and recorded by the giants of traditional American music: Bill Monroe, the Stanley Brothers, Flatt & Scruggs, Ralph Stanley, the Osborne Brothers, Jimmy Martin, Doc Watson and many more. Also included: Step-by-Step instruction on how to transpose any song to any key!The two CDs include recordings of EVERY song in the book.

Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro, Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging, many-faceted story of the Dark Lady, her Shakespeare, and their real and imagined milieu.

What Hurricane Katrina reveals about the fault lines of race and poverty in America-and what lessons we must take from the flood-from best-selling ''hip-hop intellectual'' Michael Eric Dyson Does George W. Bush care about black people? Does the rest of America? When Hurricane Katrina tore through New Orleans and the Gulf Coast, hundreds of thousands were left behind to suffer the ravages of destruction, disease, and even death. The majority of these people were black; nearly all were poor. The federal government's slow response to local appeals for help is by now notorious. Yet despite the cries of outrage that have mounted since the levees broke, we have failed to confront the disaster's true lesson; to be poor, or black, in today's ownership society, is to be left behind. Displaying the intellectual rigor, political passion, and personal empathy that have won him fans across the color line, Michael Eric Dyson offers a searing assessment of the meaning of Hurricane Katrina. Combining interviews with survivors of the disaster with his deep knowledge of black migrations and government policy over decades, Dyson provides the historical context that has been sorely missing from public conversation. He explores the legacy of black suffering in America since slavery, including the shocking ways that black people are framed in the national consciousness even today. With this call-to-action, Dyson warns us that we can only find redemption as a society if we acknowledge that Katrina was more than an engineering or emergency response failure. From the TV newsroom to the Capitol Building to the backyard, we must change the ways we relate to the black and the poor among us. What's at stake is no less than the future of democracy.