The Author has had a double end in view in the composition of them; first, to furnish some simple and original hymns for singing; secondly, to provide English Catholics with a hymn-book for reading, in the simplest and least involved metres: and both these objects have not unfrequently required considerable sacrifice in a literary point of view. When God raised up our dear and blessed Father St. Philip, St. Ignatius, and St. Theresa, and gave them to His Church, just as the heresy of Protestantism was beginning to devastate the world, those three Saints seem to have had distinct departments assigned to them. All of them, each in a different way, met the subjectivity, the self-introverted habit of mind, which was then coming uppermost, and thus rendered modern Catholicism the great object of our study and the model for our imitation, as being primarily fashioned, and that by the hands of Saints, for the welfare of these latter ages. St. Theresa represents the common sense, the discreet enthusiasm, of devotion and the interior life, which distinguishes Catholic asceticism and the mysticism of the Saints from the fanatical vagaries of the heretics. St. Ignatius, without debarring his children from any field of labour, took in a special way the education of Europe and the evangelization of distant lands for his department, and represented in the Church the principle of faith. St. Philip devised a changeful variety of spiritual exercises and recreations, which gathered round him the art and literature, as well as the piety of Rome, and was eminently qualified to meet the increased appetite for the Word of God, for services in the vernacular, for hymn-singing and prayer-meetings. Sanctity in the world, perfection at home, high attainments in common earthly callings-such was the principal end of his apostolate. He met the gloom and sourness and ungainly stiffness of the puritan element of Protestantism by cheerfulness and playful manners, which he ensured, not in any human way, but by leaving to his children the frequentation of the Sacraments as the chief subject of their preaching and their chief counsel in the spiritual direction of others; and he represented in the Church the principle of love. St. Ignatius was the St. Dominic, St. Philip the St. Francis of his age. What was mediaeval and suited to the mediaeval state of things passed away, and there appeared at the Chiesa Nuova and the Gesu the less poetical, but thoroughly practical element of modern times, the common sense which works and wears so well in this prosaic world of ours. It was natural then that an English son of St. Philip should feel the want of a collection of English Catholic hymns fitted for singing. The few in the Garden of the Soul were all that were at hand, and of course they were not numerous enough to furnish the requisite variety. As to translations, they do not express Saxon thoughts and feelings, and consequently the poor do not seem to take to them. The domestic wants of the Oratory, too, kept alive the feeling that something of the sort was needed; though at the same time the Author's ignorance of music appeared in some measure to disqualify him for the work of supplying the defect. Eleven, however, of the hymns were written, most of them, for particular tunes and on particular occasions, and became very popular with a country congregation. They were afterwards printed for the schools at St. Wilfrid's, and the very numerous applications to the printer for them seemed to show that, in spite of very glaring literary defects, such as careless grammar and slipshod metre, people were anxious to have Catholic. hymns of any sort. The MS. of the present volume was submitted to a musical friend, who replied that certain verses of all or nearly all the hymns would do for singing: and this encouragement has led to the publication of the volume.

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"Hymn singing reflects a congregation's spiritual vitality and their response to God's grace.