John Wesley's impact on Methodist theology and practice is well established, but there are many other early figures who shaped Methodism just as thoroughly. Quest for Love Divine explores the contributions of Charles Wesley by exploring the impact of his lyrics on methodist worship, and the importance of lyrical theology in the founding of Methodism. Chilcote also examines the contributions of early Methodist women such as Dorothy Fisher, Mary Taft and Sarah Crosby, exploring how the Wesley brothers and their community sought to inhabit 'faith working by love leading to holiness of heart and life'. In his collection of essays, Chilcote explores the salient themes of Wesleyan theology and practice, and reflects on its legacy, in the Wesley's time and in ours. By focussing on the nature of their discipleship and the centrality of 'love divine', Chilcote brings Wesleyan theology into sharp and practical focus.

Reprint of the original, first published in 1876.

Those people in uniforms who ring bells and raise money for the poor during the holiday season belong to a religious movement that in 1865 combined early feminism, street preaching, holiness theology, and intentionally outrageous singing into what soon became the Salvation Army. In Pulling the Devil's Kingdom Down, Pamela Walker emphasizes how thoroughly the Army entered into nineteenth-century urban life. She follows the movement from its Methodist roots and East London origins through its struggles with the established denominations of England, problems with the law and the media, and public manifestations that included street brawls with working-class toughs. The Salvation Army was a neighborhood religion, with a "battle plan" especially suited to urban working-class geography and cultural life. The ability to use popular leisure activities as inspiration was a major factor in the Army's success, since pubs, music halls, sports, and betting were regarded as its principal rivals. Salvationist women claimed the "right to preach" and enjoyed spiritual authority and public visibility more extensively than in virtually any other religious or secular organization. Opposition to the new movement was equally energetic and took many forms, but even as contemporary music hall performers ridiculed the "Hallelujah Lasses," the Salvation Army was spreading across Great Britain and the Continent, and on to North America. The Army offered a distinctive response to the dilemmas facing Victorian Christians, in particular the relationship between what Salvationists believed and the work they did. Walker fills in the social, cultural, and religious contexts that make that relationship come to life.