Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.

The sociologist Daniel Bell was an uncommonly acute observer of the structural forces transforming the United States and other advanced societies in the twentieth century. The titles of Bell’s major books—The End of Ideology (1960), The Coming of Post-Industrial Society (1973), and The Cultural Contradictions of Capitalism (1976)—became hotly debated frameworks for understanding the era when they were published. In Defining the Age, Paul Starr and Julian E. Zelizer bring together a group of distinguished contributors to consider how well Bell’s ideas captured their historical moment and continue to provide profound insights into today’s world. Wide-ranging essays demonstrate how Bell’s writing has informed thinking about subjects such as the history of socialism, the roots of the radical right, the emerging postindustrial society, and the role of the university. The book also examines Bell’s intellectual trajectory and distinctive political stance. Calling himself “a socialist in economics, a liberal in politics, and a conservative in culture,” he resisted being pigeon-holed, especially as a neoconservative. Defining the Age features essays from historians Jenny Andersson, David A. Bell, Michael Kazin, and Margaret O’Mara; sociologist Steven Brint; media scholar Fred Turner; and political theorists Jan-Werner Müller and Stefan Eich. While differing in their judgments, they agree on one premise: Bell’s ideas deserve the kind of nuanced and serious attention that they finally receive in this book.

In the Cave of my Heart: Poems is one part poetry and one part prayer. This book is a result of healing. ♥ This takes you through one woman's journey into the cave of her own heart where she faced forgiveness, learned to breathe again and relearned how to listen. Jenny invites you into the darkness and you journey through the lessons with her into the light. ♥ This book is a great read for anyone on a healing journey whether it be of the mind, body or soul. It will inspire you and open your heart to healing. Expansion Expand your mind Open your third eye Expand your mind Open your third eye That's what they say But the mind is where the confusion is. The heart is where expansion lies In love Compassion Truth Peace Stillness. Jenny Bell is a self-healer. At the age of ten, Jenny began to question how to get closer to God/The Divine/Universe/The Creator. She knew that the religion she was born into didn't possess all the answers. Jenny began a journey. She has studied religions from around the world both old and new. This journey has brought Jenny to cast spells, become Reiki certified, join Kyle Gray's Angel Team, pet wolves, participate in circles, and meditate in a Buddhist temple. For over twenty years Jenny has practiced yoga, meditation, read cards and worked with the healing powers of crystals. Jenny also holds a degree in the study of English Literature and was a public school teacher for thirteen years.

Anyone with a Hogwarts-shaped hole in their lives can’t miss this fantasy series opener. Dive into a secret underground city below London where ordinary objects are capable of extraordinary magic! "Part Tim Burton, part J.K. Rowling! A terrific debut." —Soman Chainani, New York Times Bestselling Author of the School for Good and Evil series Welcome to a world where nothing is quite as it seems… When their grandmother Sylvie is rushed to the hospital, Ivy Sparrow and her annoying big brother Seb cannot imagine what adventure lies in store. Soon their house is ransacked by unknown intruders, and a very strange policeman turns up on the scene, determined to apprehend them . . . with a toilet brush. Ivy and Seb make their escape only to find themselves in a completely uncommon world, a secret underground city called Lundinor where ordinary objects have amazing powers. There are belts that enable the wearer to fly, yo-yos that turn into weapons, buttons with healing properties, and other enchanted objects capable of very unusual feats. But the forces of evil are closing in fast, and when Ivy and Seb learn that their family is connected to one of the greatest uncommon treasures of all time, they must race to unearth the treasure and get to the bottom of a family secret . . . before it’s too late. Debut novelist Jennifer Bell delivers a world of wonder and whimsy in the start of a richly uncommon series. "An auspicious trilogy opener." -Kirkus Reviews

Waterstones Children's Book of the Month for June 2020! Toppsta Children's Book of the Month for June 2020! Gaming and time travel collide in this exhilarating middle-grade adventure, from bestselling author Jennifer Bell. THE GAME IS ON. TRAVEL WITH WONDER. When Arthur, Ren and Cecily investigate a mysterious explosion on their way to school, they find themselves trapped aboard The Principia - a scientific research ship sailing through hazardous waters, captained by one Isaac Newton. Lost in the year 2473 in the Wonderscape, an epic in-reality adventure game, they must call on the help of some unlikely historical heroes, to play their way home before time runs out. Jumanji meets Ready Player One in this fast-paced adventure featuring incredible real-life heroes, from the internationally bestselling author of The Uncommoners series. "A whirlwind of fun and mystery across space and time." Thomas Taylor, author of Malamander "Eight-plus readers with a taste for adventure and science will immerse themselves in the Uncommoners author Jennifer Bell's exciting new Wonderscape" - 'Books of the Month', Guardian "A breakneck sci-fi romp that's perfect for gamers, puzzle fiends and fact-fans." Ross Montgomery, author of Alex, the Dog and the Unopenable Door "With the mind-expanding wonder of A Wrinkle in Time, the tech-wizardry of Ready Player One, and a generous sprinkling of Jennifer Bell's unique magic, Wonderscape is unmissable." Sinéad O'Hart, author of The Eye of the North "Wonderscape is an expertly crafted, breakneck speed adventure." BookTrust "Bell puts a clever and highly inventive spin on the middle-grade fantasy adventure." The Bookseller "A fun-filled, character-driven, fast-paced, vibrant story ... together with its thought-provoking, science-embracing and hero-referencing narrative, it will almost certainly win both hearts and minds." 'Children's Book of the Week', Press Association