The volume explores the range of reactions to medical women from the mid-nineteenth century up until the start of the Great War in 1914. By covering this period, readers will be introduced to ongoing debates surrounding women in medicine, via sources which explore the possibilities for – as well as the problems of – female professional practice. The perspectives of detractors and supporters, as well as medical women themselves, are taken into account, and especial consideration given to opinions which were not neatly divided along gender lines. Of key concern here is a nuanced tracing through primary material of changes in the perception of medical women, as well as the ways in which lingering prejudices disappeared or remained well into the twentieth century. This volume focuses on two key areas: first, the debates and challenges around medical and surgical education for women; and, second, women’s physical and mental ‘fitness’ to practise. The reproduction of previously unpublished student magazines, both from the foundational London School of Medicine for Women, as well as medical schools which considered admitting women during this period, are an original feature of this volume. Accompanied by extensive editorial commentary, this title will be of great interest to students of Women's History and the History of Medicine.

Vol. 1. A-F, Vol. 2. G-O, Vol. 3. P-Z modern period.

American ideals--liberty, equality, democracy, national unity--are bandied about by liberal politicians as a package deal, inseparably intertwined. But the words often flow together better as rhetoric than they mold together in theory. But, as Herbert Croly and his turn-of-the-century contemporaries found, jelling these appealing yet often conflicting concepts into a liberal philosophy was not nearly as easy as embracing them in a campaign speech. In this first full-length study of Herbert Croly's political theory, Edward Stettner analyzes Croly's writings and examines the events, experiences, and people who influenced Croly's thinking. In the process, he reveals Croly's significant influence on modern liberalism as classical liberal theory merged with progressive philosophy. Croly, founder of The New Republic, expounded on issues from the nationalization of railroads to the Espionage Act in his search for a middle way between socialism and capitalism. Stettner illustrates how Croly's political theory influenced the editorial position of one of the leading liberal journals and how his thought in turn was modified in reaction to national and world events, such as presidential elections and World War I. Stettner portrays Croly as a modest and conscientious intellectual who wholeheartedly came to embrace the progressive movement and consequently helped establish the framework for modern liberalism. In doing so, Stettner emphasizes how Croly's philosophy evolved and how Croly was drawn to the conclusion that a strong national government and individual rights could indeed coexist--if not always serenely--in a democratic society.

This anthology contributes to a scholarly understanding of the aesthetics and economics of female artistic labour in the Victorian period. It maps out the evolution of the Woman Question in a number of areas, including the status and suitability of artistic professions for women, their engagement with new forms of work and their changing relationship to the public sphere. The wealth of material gathered here - from autobiographies, conduct manuals, diaries, periodical articles, prefaces and travelogues - traces the extensive debate on women's art, feminism and economics from the 1830s to the 1890s. Combining for the first time nineteenth-century criticism on literature and the visual arts, performance and craftsmanship, the selected material reveals the different ideological positions surrounding the transition of women from idleness to serious occupation. The distinctive primary sources explore the impact of artistic labour upon perceptions of feminine sensibility and aesthetics, the conflicting views of women towards the pragmatics of their own creative labour as they encompassed vocations, trades and professions, and the complex relationship between paid labour and female fame and notoriety.