Grad student Devin Toulson is writing his dream thesis on Myths in American History, but when his research takes him on a journey reaching back centuries, Devin finds something horrifying. Something that crosses cultures, locations, and eras. Something that returns for a bloody feeding every 23 years. Will this young man's investigation uncover simply an urban legend or will he come face to face with an immortal monster that has terrorized humanity from the shadows since man first walked the country?

The Secret History of the Creeper continues! Over the centuries, the immortal monster has left a path of misery, despair, and death and as our intrepid researcher Devon uncovers more and more, the Creeper gets angrier and angrier.

As Devon dives into his research on the mythical "Creeper", he has no idea how long this evil has existed! Will he uncover the true history of the seemingly immortal monster before the Creeper finds him? Plus: The Aztec Empire!?!?

This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.

Here are over 40 scary, hair-raising, and frightening stories of the supernatural and the paranormal. These are first-person narratives that are unexplained and possibly inexplicable. All of them have been reported to John Robert Colombo, Canada’s Master Gatherer of the Arcane, by men and women from various parts of the country, and they’re published here in the words of the informants themselves, the witnesses to these wonders. Here, you will have the opportunity to read about: A woman from Ottawa who is visited nightly by her dead husband. A man from Quebec who is haunted by visions of the past. The couple from Regina, Saskatchewan, who commune with spirits through a Ouija board. The woman from Newcastle, Ontario, who finds the house of her dreams with a terrible secret.

Here are over 40 scary, hair-raising, and frightening stories of the supernatural and the paranormal. These are first-person narratives that are unexplained and possibly inexplicable. All of them have been reported to John Robert Colombo, Canada’s Master Gatherer of the Arcane, by men and women from various parts of the country, and they’re published here in the words of the informants themselves, the witnesses to these wonders. Here, you will have the opportunity to read about: A woman from Ottawa who is visited nightly by her dead husband. A man from Quebec who is haunted by visions of the past. The couple from Regina, Saskatchewan, who commune with spirits through a Ouija board. The woman from Newcastle, Ontario, who finds the house of her dreams with a terrible secret.

Twenty-six monsters go to school and learn their letters as each one's name starts with another letter of the alphabet.