Forward Motion

Forward Motion
Title Forward Motion PDF eBook
Author Hal Galper
Publisher "O'Reilly Media, Inc."
Pages 214
Release 2011-01-12
Genre Music
ISBN 1457101394

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The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!

Modern Jazz Guitar Concepts

Modern Jazz Guitar Concepts
Title Modern Jazz Guitar Concepts PDF eBook
Author JENS. LARSEN
Publisher WWW.Fundamental-Changes.com
Pages 70
Release 2018-09-22
Genre
ISBN 9781789330243

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Learn modern jazz guitar and theory with virtuoso Jens Larsen

Jazz Phrasing

Jazz Phrasing
Title Jazz Phrasing PDF eBook
Author Gloria Cooper
Publisher
Pages 0
Release 2004
Genre Music
ISBN 9780634077319

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(Vocal Collection). A great supplement to Second Floor Music's Sing Jazz! book (00740213/$14.95), Jazz Phrasing is a perfect workbook for all jazz vocalists. It covers: Specific Rhythm Phrasing interpreting 8th notes, specific rhythm figures; Open Phrasing exploring tempos and styles, working with ballads; Tips on Performance choosing a tempo and counting off, telling the song's story, working with your ensemble; and more. The accompanying CD lets you: compare transcriptions to recorded examples, listen to vocal and instrumental examples, sing along with the rhythm section, create backgrounds and analyze arrangements.

The Real Jazz Pedagogy Book

The Real Jazz Pedagogy Book
Title The Real Jazz Pedagogy Book PDF eBook
Author Ray Smith
Publisher Outskirts Press
Pages 504
Release 2019-01-16
Genre Music
ISBN 1977208150

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Written by a jazz teacher for jazz teachers, "The Real Jazz Pedagogy Book" is based on the premise that successful jazz teachers must be constantly working four main areas: 1) the wind instruments-including tone production, intonation, and section playing skills; 2) playing styles correctly-such as rhythmic and time feel approach, articulation approach, and phrasing; 3) the rhythm section-playing the instruments, time feel and concept, coordination of comping, harmonic voicings, drum fills and setups, stylistic differences; and 4) the soloists-developing improvisational skills (both right brain and left brain), jazz theory, the ballad soloist, and the vocal soloist. Ray Smith, who has taught and directed jazz ensembles, including the acclaimed Brigham Young University group, Synthesis, and given private lessons for over forty years, also discusses the details of running school programs. Smith's YouTube channel complements "The Real Jazz Pedagogy Book."

Jazz Guitar Phrasing Workout

Jazz Guitar Phrasing Workout
Title Jazz Guitar Phrasing Workout PDF eBook
Author William Bay
Publisher
Pages 23
Release 2004-07-01
Genre Music
ISBN 0786669969

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A step-by-step method teaching correct modern jazz interpretation and phrasing. Great for reading and for learning to play in the pocket. Companion CD allows the guitarist both to hear how the phrases should be interpreted and to play the jazz etudes with a rhythm section.

Jazz Conception

Jazz Conception
Title Jazz Conception PDF eBook
Author Jim Snidero
Publisher
Pages 48
Release 1999
Genre
ISBN

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Jazz Piano Ad-Lib Phrases

Jazz Piano Ad-Lib Phrases
Title Jazz Piano Ad-Lib Phrases PDF eBook
Author Akimitsu Iwase
Publisher Mel Bay Publications
Pages 97
Release 2010-10-07
Genre Music
ISBN 1609740661

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The contents of this textbook are training exercises and practical examples. the training sections include various combinations and patterns which will help in developing a jazz-like approach. These exercises can be considered as source material for developing your own ad-lib phrases. As for the practical examples, the phrases included here are not taken literally from any particular jazz pianist, but rather embody well known patterns typical of the bebop and post-bebop eras. Aimed at intermediate students to develop their potential of ad-lib solos, but is also good for beginners to train their fingers and ears for the future.