Intermediate-level players can achieve a real "professional jazz sound" with this exciting mix of jazz standards and jazz originals by hot New York jazz player Larry Minsky. These incredible easy-to-play jazz stylings include original jazz riffs and written-out improvisations. Titles: * Everything's Coming Up Roses * Solitude * On Green Dolphin Street * Here's That Rainy Day

Titles: * Ja Da * The Muffin Man * Alexander's Ragtime Band * When the Saints Go Marching In * The Love Nest * Waltz Exciting teacher duets are included for each piece.

Composer and arranger Larry Minsky writes out all the jazz riffs and improvisations giving a real "professional jazz sound" to this exciting mix of jazz standards and jazz originals. Titles: * Bluesy * Upbeat Monday * Nocturne * Jazzy Waltz * On the Sunny Side of the Street * Over the Rainbow * I Could Write a Book * How Long Has This Been Going On? Impressive, hip, and elegant stylings within the abilities of every player at the intermediate level!

Composer and arranger Larry Minsky writes out all the jazz riffs and improvisations giving a real "professional jazz sound" to this exciting mix of jazz standards and jazz originals. Titles: * Daydreamer * Riding the Wind * Ballad in C * Rock Prelude * Sunny * I've Got a Crush on You * The Lady Is a Tramp * Bewitched Incredible jazz stylings for the late elementary student!

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Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, here media artist and theorist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today’s film editors, motion designers, and other media artists.

In Intoxicating Shanghai, Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in pictorial magazines. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dance hall culture, with a specific emphasis on 1934 – ‘The Year of the Magazine’.