A comprehensive text teaching elements of jazz phrasing, articulation, vibrato, harmony, and technical studies leading to improvisation. for the flute student beginning the serious study of jazz and contemporary styles, this book will help in many ways. Phrasing and interpretation of rhythms are studied through exercises and original pieces. Scale and arpeggio studies will help the student learn both the music theory and technical skills needed to improvise.

10 Improvisational Flute Etudes written by Jeff Coffin over the changes to 10 jazz standards. Ideal for all flute players.

This book is intended for the flute player who already knows a good deal about how to read music but would like to explore a new route of expression through the nature of improvisation in jazz music. Through this book you will be exposed to the pioneers of jazz flute and how they approach jazz improvisation. This book will also teach you to improvise through the many genre of jazz. This guide will take you step by step through everything from the blues to the traditional styles of improvisation.You will improve dramatically on your technique and your tone will be enhanced as well. Through scales, patterns and other jazz improvisation techniques you will gain control of your playing.I took all the tools that you would find scattered in many texts and combined the techniques, theory, and history and put them into one big book for your convenience. I had the chance to talk first hand with some of the greatest masters of the jazz flute. I hope that when you read the interviews with these artists it will inspire you as it did me.

(Book). More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban, and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. As Mann once said, "People would say to me, 'I don't know where you are right now,' and I would respond, 'And you're not going to know where I'm going to be tomorrow.'" A self-described restless spirit, Herbie Mann also was a master at marketing himself. His insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike. His career lasted for five decades, from his beginnings in a tiny Brooklyn nightclub to appearances on international stages. "I want to be as synonymous with the flute as Benny Goodman is for the clarinet," he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.

The history of the flute in jazz told mainly through interviews with jazz flutists and other musicians, scholars and record producers.

Baby and his family make some jazzy music.