Late on a summer night in 1965, Charlie Bucktin, is visited in his sleep out by Jasper Jones, an outcast in the regional mining town of Corrigan. Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help Charlie follow him takes him to his secret glade in the bush, where he witnesses Jasper's horrible discovery.

The first comprehensive exploration on the subject of older men, Older Men′s Lives offers a multidisciplinary portrait of men and their concerns in later life. Using both a life-course and gendered perspective, the contributors to this collection of original articles point out that the image and self-image of men are continuously reconstructed over the life cycle. They examine older men′s position in society and the changes wrought in their status and roles over time. Their relationship with their spouses, children, grandchildren, and friends are also explored, as are policy implications of a gendered, life-cycle view of masculinity. This volume also discusses faith development in older men, masculinity identity from work to retirement, older men′s sexuality, and older men′s friendship patterns. Older Men′s Lives will be of interest to professionals and students interested in gender, men′s studies, gerontology, and sociology. "This book begins to remedy the lack of information and provides data and research on aging men. . . .The strength of this book is the specificity of its focus. By focusing solely on male concerns the book is able to identify issues in the male aging process and discuss them on their own terms rather than simply as a contrast to females." --Clinical Gerontologist

The Rise of Historical Criticism, published in complete form in 1908, is a mature essay by Oscar Wilde, evaluating the history and current state of criticism. The writer goes back in history and tries to remould the art of criticism with allusions to various critics, genres, and periods. Filled with wit and sublimity, the essay is a comprehensive piece of writing that enlightens the ordinary sense through innovative spirit.

Secrets of the Serpent: In Search of the Sacred Past by Philip Gardiner Across time and across the world, an ancient serpent cult once dominated mankind. Then a great battle ensued and Christianity stamped it's authority on the face of the planet. Now, after years of research, the real religious history of the world can be told. In Secrets of the Serpent, Philip Gardiner for the first time reveals the world's most mysterious places were once sacred to the Serpent Cult. The history and mythology of the so-called reptilian agenda and alien visitation in ancient times now has a solid opponent - giving answers for the many symbols and myths often confused by those who believe in such things. In Secrets of the Serpent, the author reveals the real "bloodline" spoken of by Dan Brown in the Da Vinci Code- it was in fact a serpent bloodline. Philip Gardiner is the international best selling author of The Shining Ones, The Serpent Grail, Gnosis: The Secret of Solomon's Temple Revealed and Proof - Does God Exist? He has appeared on hundreds of radio and television programs worldwide speaking on religion and propaganda. He has infiltrated various secret societies and been initiated into Orders many people had thought were long forgotten. Committed to the constant struggle to uncover the real history of mankind and the unraveling of manipulative propaganda, he has come up against many obstacles and yet in his book, The Serpent Grail he reveals a truth about the Holy Grail that gained the backing of academia and scholars. The truth shall be found in the Secrets of the Serpent

AMONG the many debts which we owe to the supreme aesthetic faculty of Goethe is that he was the first to teach us to define beauty in terms the most concrete possible, to realise it, I mean, always in its special manifestations. So, in the lecture which I have the honour to deliver before you, I will not try to give you any abstract definition of beauty - any such universal formula for it as was sought for by the philosophy of the eighteenth century - still less to communicate to you that which in its essence is incommunicable, the virtue by which a particular picture or poemaffects us with a unique and special joy; but rather to point out to you the general ideas which characterise the great English Renaissance of Art in this century, to discover their source, as far as that is possible, and to estimate their future as far as that is possible.