A unique study of Japanese American women employed as domestic workers.

Through moving oral histories, Ji-Yeon Yuh tells an important, at times heartbreaking, story of Korean military brides. She takes us beyond the stereotypes and reveals their roles within their families, communities, and Korean immigration to the U.S.

"In a stunning tribute to his wife of 45 years, Michael Forrester's Tsuchino, My Japanese War Bride is a compelling narrative that gives readers history and insight into the little-known and understudied story of Japanese war brides in America. Before leaving to serve in the US military in the occupation of Japan, New York-born Irish Catholic Forrester was cautioned by his grandmother to not return home with a Japanese bride! Fortunately, Michael Forrester did not heed the warning and in 1958, he married Tsuchino Matsuo ? a strong-willed and determined woman who confounds any stereotypes readers might have had about Japanese war brides. Michael and Tsuchino's story of love transcends cultural and language barriers at a time in American history when marriage between two different races was a rare occurrence." ? Regina F. Lark, Ph.D., UCLA Center for the Study of Women and Women's Studies Programs

The American military started building its massive base complex in Okinawa at the end of World War II. During the decade that followed, US forces seized vast areas of privately owned land, evicting and impoverishing thousands of farmers. US military occupation rule, imposed during the Battle of Okinawa in 1945, lasted until 1972, twenty years longer than the Allied occupation of mainland Japan. Besides land seizures, Okinawans were subjected to numerous human rights violations, including oxymoronic “occupation law” that consistently favored the US military in cases of serious crimes against civilians, denial of the freedom to choose candidates for elected office, and strict limits on travel outside Okinawa, even to mainland Japan. The commanding military presence has persistently stymied economic development in Okinawa, which remains Japan’s poorest prefecture. Yet, even as the disproportionate burden of bases continues to impose dangers and disruptions, hundreds of Okinawan women every year have married American servicemen and returned with them to live in the United States. Former Okinawa Times reporter Etsuko Takushi Crissey traveled throughout their adopted country, conducting wide-ranging interviews and a questionnaire survey of women who married and immigrated between the early 1950s and the mid-1990s. She concentrates especially on their experiences as immigrants, wives, mothers, working women, and members of a racial minority. Many describe severe hardships they encountered. In Okinawa's GI Brides, Crissey presents their diverse personal accounts, her survey results, and comparative data on divorces—challenging the widespread notion that such marriages almost always fail, with the women ending up abandoned and helpless in a strange land. Her book, the first on Okinawan wives of US servicemen, also compares the circumstances of their marriages with those of so-called “war brides” and postwar spouses of American servicemen stationed in mainland Japan and Europe. Written in brisk and lively prose, this book is stimulating and informative reading for a general audience, and a timely resource for specialists in the fields of history, political science, sociology, international relations, and anthropology, as well as ethnic, immigrant, and gender studies.

NATIONAL BESTSELLER • PEN/FAULKER AWARD WINNER • The acclaimed author of The Swimmers and When the Emperor Was Divine tells the story of a group of young women brought from Japan to San Francisco as “picture brides” a century ago in this "understated masterpiece ... that unfolds with great emotional power" (San Francisco Chronicle). In eight unforgettable sections, The Buddha in the Attic traces the extraordinary lives of these women, from their arduous journeys by boat, to their arrival in San Francisco and their tremulous first nights as new wives; from their experiences raising children who would later reject their culture and language, to the deracinating arrival of war. Julie Otsuka has written a spellbinding novel about identity and loyalty, and what it means to be an American in uncertain times.

Born to an African American father and Japanese mother, Frederick D. Kakinami Cloyd, the narrator of Dream of the Water Children, finds himself not only to be a marginalized person by virtue of his heritage, but often a cultural drifter, as well. Indeed, both his family and his society treat him as if he doesn't entirely belong to any world. Tautly written in spare, clear poetic prose, this memoir explores the specific contours of Japanese and African American cultures, as well as the broader experience of biracial and multicultural identity. To tell his story, Cloyd incorporates photographs and Japanese writing, history, and memory to convey both rich personal experience and significant historical detail. Bringing together vivid memories with a perceptive cultural eye, Dream of the Water Children brings readers closer to a biracial experience, opening up our understanding of the cultural richness and social challenges people from diverse backgrounds face.

Her story is intertwined with others: her husband, Taro Takeda, an Oakland shopkeeper; Kiku and her husband Henry, who reject demeaning city work to become farmers; Dr. Kaneda, a respected community leader who is destroyed by the adopted land he loves. All are caught up in the cruel turmoil of World War II, when West Coast Japanese Americans are uprooted from their homes and imprisoned in desert detention camps.