This collection of Japanese poetry contains over 200 poems by some 153 Americans writing of their impressions and experiences of Japan. If Japan forms the theme of the poems collected here, the variations are certainly the deep feeling so many Americans have come to have for Japan and the Japanese People. And the Resulting Choral is, we are convinced, both a thing of beauty and unique expression of goodwill between nations. Through the many years and in many countries poets have been entranced with the romances suggested by the name Japan. They have enthralled the sweetness of its children; serenity of its art; the beauty of its fields, seas, and mountains; the grandeur of its ancient architecture and quiet gardens; colorful pageantry of its history and deep emotions of its drama; the industriousness of its workers, charm of its women, and indomitable character of its people.

Global Themes and Local Variations in Organization and Management: Perspectives on Glocalization offers a broad exposition of the relations between the global and the local with regard to organizational and managerial ideas, practices, and forms. This edited volume forges ahead to capture the complexity of modern management and organization that results from the processes of glocalization. Universality is among the core underlying principles of the management of organizations, as well as of organization and management science itself. Yet, reality reveals enormous variation across social and cultural contexts. For instance, multinational corporations must adjust their management practices to adhere to national regulation and local standards; manufacturers and service providers routinely tailor their products to suit the local preferences of consumers; and non-profit organizations amend their advocacy agenda to appeal to local sentiments. The work assembled here goes beyond merely describing such patterns of variation and adaptation in organization and management; research and commentary engage directly with the tensions between homogeneity and heterogeneity, convergence and divergence, global and local. With contributions from leading scholars in the field of comparative organization studies, this collection offers a substantive contribution to the investigation of organization and management, as well as providing a valuable resource for students of organization studies, international business, and sociology.

For many years, Richard Storry directed Japanese studies at the University of Oxford. This volume, designed as a tribute to his life and work, is composed of essays by leading Japanologists from the United Kingdom, Europe and Japan itself, where Richard Storry taught. The volume focuses on the period since the middle of the nineteenth century and covers several areas, including politics, language and theatre. First published in 1988, this title is part of the Bloomsbury Academic Collections series.

The Western discovery of Japanese paintings at nineteenth-century world’s fairs and export shops catapulted Japanese art to new levels of international popularity. With that popularity, however, came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese response: nihonga, a traditional style of painting that reframed existing techniques to distinguish them from Western artistic conventions. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state. Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture. By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.

Taking the Goki-Shichido (Five Home Provinces and Seven Circuits of Ancient Japan) as a theoretical framework, this book examines shrinking Japan from a regional variation perspective by municipality along the ancient Tokaido, which comprises 15 provinces, and seven prefectures today. The study identifies the principal explanatory factors based on the small area data of e-Stat through GPS statistical software tools such as G-census and EvaCva, within a historical perspective. This historical knowledge helps in understanding the significance of the regional cultural heritage that remains in each municipality today. The book pays special attention to municipal variations within the same prefecture, presenting a completely unique approach from what other researchers have pursued. This volume studies two present-day prefectures along the ancient Tokaido for detailed analyses of the impacts of regional variations of population decline in Japan. They are Shizuoka Prefecture, made up of the former Tootoumi, Suruga, and Izu provinces, and Mie Prefecture, formed by the ancient provinces of Iga, Ise, Shima, and the eastern part of Kii as examples to show the impacts of municipal power on regional variations of shrinking Japan. The reasons for selecting these two prefectures of the ancient Tokaido are twofold. First, they are made up of a multiple number of the ancient provinces. Second, other prefectures that fall under the Tokaido have been studied in the previous works of the present author by adopting the same methods of analyses. Thus, by presenting unique analyses of regional variations on small municipal levels, with demographic variables, social indicators, and historical identities of municipalities in Shizuoka and Mie prefectures along the Tokaido, this book offers suggestions for effective regional policy to revitalize shrinking Japan to a sustainable one.

When we think of composers, we usually envision an isolated artist separate from the orchestra—someone alone in a study, surround by staff paper—and in Europe and America this image generally has been accurate. For most of Japan’s musical history, however, no such role existed—composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them—or that they forged—during Japan’s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.