"In addition to the official photographs he turned over to his superiors, O'Donnell recorded some three hundred images for himself, but following his discharge from the Marines he could not bear to look at them. He put the negatives in a trunk that remained unopened until 1989, when he finally felt compelled to confront once more what he had seen through his lens during his seven months in post-war Japan." "Exhibited in Europe and Japan during the 1990s, O'Donnell's photographs were first published in book form in a 1995 Japanese edition. This edition, the first to appear in the United States, includes an additional twenty photographs and will bring O'Donnell's eloquent testament to the horrors of war to an even wider audience."--BOOK JACKET.

"Japan has long wrestled with the memories and legacies of World War II. In the aftermath of defeat, war memory developed as an integral part of particular and divergent approaches to postwar democracy. In the last six decades, the demands placed upon postwar democracy have shifted considerably—from social protest through high economic growth to Japan’s relations in Asia—and the meanings of the war shifted with them.This book unravels the political dynamics that governed the place of war memory in public life. Far from reconciling with the victims of Japanese imperialism, successive conservative administrations have left the memory of the war to representatives of special interests and citizen movements, all of whom used war memory to further their own interests.Franziska Seraphim traces the activism of five prominent civic organizations to examine the ways in which diverse organized memories have secured legitimate niches within the public sphere. The history of these domestic conflicts—over the commemoration of the war dead, the manipulation of national symbols, the teaching of history, or the articulation of relations with China and Korea—is crucial to the current discourse about apology and reconciliation in East Asia, and provides essential context for the global debate on war memory."

Examines the social, cultural, and political underpinnings of Japan's postwar and post-industrial trajectories.

A “what if?” look at allied plans to invade Japan, and the story of the creation and use of the atomic bomb. In this 200th Campaign series title Clayton Chun examines the final stages of World War II as the Allies debated how to bring about the surrender of Japan. He details Operation Downfall (the planned invasion of the Japanese home islands). Chun explains why these plans were never implemented, before examining the horrific alternative to military invasion – the attacks on Hiroshima and Nagasaki with nuclear weapons. With a series of illustrations, including detailed diagrams of the atomic bombs, a depiction of the different stages of the explosions and maps of the original invasion plans, this book provides a unique perspective of a key event in world history.

Did the bombing of Japan's cities—culminating in the nuclear destruction of Hiroshima and Nagasaki—hasten the end of World War II? Edwin Hoyt, World War II scholar and author, argues against the U. S. justification of the bombing. In his new book, Inferno, Hoyt shows how the U. S. bombed without discrimination, hurting Japanese civilians far more than the Japanese military. Hoyt accuses Major General Curtis LeMay, the Air Force leader who helped plan the destruction of Dresden, of committing a war crime through his plan to burn Japan's major cities to the ground. The firebombing raids conducted by LeMay's squadrons caused far more death than the two atomic blasts. Throughout cities built largely from wood, incendiary bombs started raging fires that consumed houses and killed hundreds of thousands of men, women and children. The survivors of the raids recount their stories in Inferno, remembering their terror as they fled to shelter through burning cities, escaping smoke, panicked crowds, and collapsing buildings. Hoyt's descriptions of the widespread death and destruction of Japan depicts a war machine operating without restraint. Inferno offers a provocative look at what may have been America's most brutal policy during the years of World War II.

Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.

A “what if?” look at allied plans to invade Japan, and the story of the creation and use of the atomic bomb. In this 200th Campaign series title Clayton Chun examines the final stages of World War II as the Allies debated how to bring about the surrender of Japan. He details Operation Downfall (the planned invasion of the Japanese home islands). Chun explains why these plans were never implemented, before examining the horrific alternative to military invasion – the attacks on Hiroshima and Nagasaki with nuclear weapons. With a series of illustrations, including detailed diagrams of the atomic bombs, a depiction of the different stages of the explosions and maps of the original invasion plans, this book provides a unique perspective of a key event in world history.