Sanditon (1817) is an unfinished novel by the English writer Jane Austen. The novel centers on Charlotte Heywood, the eldest of the daughters still at home in the large family of a country gentleman from Willingdon, Sussex. Upon arrival in Sanditon, Charlotte meets the colorful and largely female inhabitants of the town. Excerpt: "My name perhaps... may be unknown at this distance from the coast – but Sanditon itself – everybody has heard of Sanditon, – the favorite – for a young and rising bathing-place, certainly the favorite spot of all that are to be found along the coast of Sussex; – the most favored by nature, and promising to be the most chosen by man."

An exclusive behind-the-scenes look at the making of Jane Austen's Sanditon television series. Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion, and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice). This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.

Innovative essay by leading scholar, examining the Austen phenomenon, her love of spoof and burlesque, with newly edited Sanditon text.

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.

For real lovers of Jane Austen "s work, a completion of her unfinished Sanditon as she might possibly have envisaged it herself. No zombies or other anachronistic gimmicks, but a number of interlaced love stories set against a gently satirical picture of the fads and fancies of the times, above all the rising fashion for sea bathing and the greed and folly that accompanied it.When Charlotte Heywood leaves her large and conservative family of Kentish landowners to stay with the Parkers in the new resort of Sanditon, she expects nothing more than a tranquil seaside holiday. She soon however becomes involved in the life of the little town, and is challenged to measure her own traditional values and tastes against those of financial speculators, affected social climbers, fashionable hypochondriacs, and followers of the new romantic ideas in the arts and human behaviour. Her initial attitude is that of an amused spectator, but soon, to her own surprise, she finds herself falling in love with her host "s younger brother, the witty and fascinating Sidney Parker. Sidney however leaves Sanditon abruptly in the company of Charlotte "s beautiful and enigmatic friend Clara Brereton, with whom Sir Edward Denham, penniless nephew of the town "s patroness and Sgreat lady , is in love, to his avaricious aunt "s displeasure, and the town buzzes with rumours of an elopement Anne Toledo has taught English Literature at university level for many years, specialising in the nineteenth-century novel in general, and in Jane Austen in particular. She is a devoted Janeite, and hopes that this story will appeal to those who share her love and appreciation of Jane Austen "s work at all levels “ as romance, as humorous observation, and as moral satire, and also as a fascinating picture of daily life in middle-class England in the years immediately following the Napoleonic wars.

For fans of Pride and Prejudice and Jane Austen devotees everywhere, a charming and delightful novel for anyone who has ever wondered what the Darcy children might be like. Picking up twenty years after Pride and Prejudice left off, Mr. Darcy's Daughters begins in the year 1818. Elizabeth and Darcy have gone to Constantinople, giving us an opportunity to get to know their five daughters, who have left the sheltered surroundings of Pemberley for a few months in London. While the eldest, Letitia, frets and the youngest, Alethea, practices her music, twins Georgina and Belle flirt and frolic their way through parties and balls, while Camilla—levelheaded and independent—discovers what joys and sorrows the city has to offer an intelligent young woman. Readers will delight in the return of such beloved Austen creations as Elizabeth's old nemesis Caroline Bingley (now Lady Warren), the ever-reliable Gardiners, and wayward Aunt Lydia. Charming, beautifully written, and full of societal intrigue and romantic high jinks, Mr. Darcy's Daughters is a tale that would please Austen herself.