Jane Austen (16 December 1775 – 18 July 1817) was an English novelist known principally for her five major novels which interpret, critique and comment upon the life of the British landed gentry at the end of the 18th century. Her most highly praised novel during her own lifetime was Pride and Prejudice which was her second published novel. Her plots often reflect upon the dependence of women on marriage in the pursuit of favorable social standing and economic security. Austen's main novels are rarely out of print today though they were first published anonymously and brought her little personal fame with only a few glancing reviews during her lifetime. A significant transition in her posthumous reputation as an author occurred in 1869, fifty-two years after her death, when her nephew published A Memoir of Jane Austen which effectively introduced her to a wider public and reading audience. Austen's most successful novel in her own lifetime was Pride and Prejudice which went through two editions during her own life. Her third published novel was Mansfield Park which was largely overlooked by the professional reviewers though it was a great success with the public still within her lifetime. All five of her major novels were published for the first time between 1811 and 1818. From 1811 until 1816, with the premiere publication of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a published writer. She wrote two additional novels Northanger Abbey and Persuasion, both published posthumously in 1818, and began another one, which was eventually titled Sanditon, but died before completing it.

Jane K. Cleland returns with Jane Austen's Lost Letters, the fourteenth installment in the beloved Josie Prescott Antiques series, set on the rugged New Hampshire coast. Antiques appraiser Josie Prescott is in the midst of filming a segment for her new television show, Josie’s Antiques, when the assistant director interrupts to let her know she has a visitor. Josie reluctantly pauses production and goes outside, where she finds an elegant older woman waiting to see her. Veronica Sutton introduces herself as an old friend of Josie’s father, who had died twenty years earlier. Veronica seems fidgety, and after only a few minutes, hands Josie a brown paper-wrapped package, about the size of a shoebox, and leaves. Mystified, Josie opens the package, and gasps when she sees what’s inside: a notecard bearing her name—in her father’s handwriting—and a green leather box. Inside the box are two letters in transparent plastic sleeves. The first bears the salutation, “My dear Cassandra,” the latter, “Dearest Fanny.” Both are signed “Jane Austen.” Could her father have really accidentally found two previously unknown letters by one of the world’s most beloved authors—Jane Austen? Reeling, Josie tries to track down Veronica, but the woman has vanished without a trace. Josie sets off on the quest of a lifetime to learn what Veronica knows about her father and to discover whether the Jane Austen letters are real. As she draws close to the truth, she finds herself in danger, and learns that some people will do anything to keep a secret—even kill.

First published in 1995. Here, republished for the first time, is the first edition text of Jane Austen's much loved classic masterpieces. A rare and inaccessible resource for most scholars, the first editions are unique documents in the history of English literature. Volume 1 covers Godmersham and Goodnestone, Austens and Knights, Steventon and Chawton, as well as her novel and letters.

The fourth edition of Jane Austen's Letters incorporates the findings of new scholarship to enrich our understanding of Austen and give us the fullest view yet of her life and family. The biographical and topographical indexes have been updated, a new subject index has been created, and the contents of the notes added to the general index.

One of The Globe and Mail's Best Books of 2020 "A thoroughly authentic, smart and consoling account of one writer’s commitment to another." --The New York Times Book Review (editors' choice) "An absolutely fascinating book: I will never read Austen the same way again." —Helen Macdonald, author of H is for Hawk An astonishingly nuanced reading of Jane Austen that yields a rare understanding of how to live "About seven years ago, not too long before our daughter was born, and a year before my father died, Jane Austen became my only author." In the turbulent period around the birth of her first child and the death of her father, Rachel Cohen turned to Jane Austen to make sense of her new reality. For Cohen, simultaneously grief-stricken and buoyed by the birth of her daughter, reading Austen became her refuge and her ballast. She was able to reckon with difficult questions about mourning, memorializing, living in a household, paying attention to the world, reading, writing, and imagining through Austen’s novels. Austen Years is a deeply felt and sensitive examination of a writer’s relationship to reading, and to her own family, winding together memoir, criticism, and biographical and historical material about Austen herself. And like the sequence of Austen’s novels, the scope of Austen Years widens successively, with each chapter following one of Austen's novels. We begin with Cohen in Cambridge, Massachusetts, where she raises her small children and contemplates her father’s last letter, a moment paired with the grief of Sense and Sensibility and the social bonds of Pride and Prejudice. Later, moving with her family to Chicago, Cohen grapples with her growing children, teaching, and her father’s legacy, all refracted through the denser, more complex Mansfield Park and Emma. With unusual depth and fresh insight into Austen’s life and literature, and guided by Austen’s mournful and hopeful final novel, Persuasion, Rachel Cohen’s Austen Years is a rare memoir of mourning and transcendence, a love letter to a literary master, and a powerful consideration of the odd process that merges our interior experiences with the world at large.

Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.